If you are inclined to recreationally eyeball road atlases as much as I am, you have probably graduated to the point where you see more than states and provinces, more than roads and streets, more than cities and towns. In other words: more than the obvious information one needs to travel more-or-less accurately from one’s home town to one’s vacation destination and back, even if you are disposed to zig, zag and wander. You are to the point in your atlas scrutinization evolution where your attention falls upon the oft-times perplexing minutiae that can be found in the fine print of every atlas worthy of the name. For instance, you will come across, in south-central Oregon, four little red squares (called “points of interest” in atlas legends) that direct you — mentally, if not physically — toward such noggin-scratchers as the Big Hole, the nearby Hole-in-the-Ground, the proximate Crack-in-the-Ground and, additionally, the Lost Forest, which, one would guess, has now been successfully located, since it’s mentioned in a road atlas and all. Another little red square, in the Adirondacks of New York, notes something called “The Land of Make Believe.” (One can only imagine … ) Yet another in Arkansas’ Boston Mountains is “Sam’s Throne.” (I assume this has something to do with Sam Walton, founder of Wal-Mart, who is likely considered royalty in the so-called “Natural State.”) And, in southwest New Mexico, very near where I live, there can be found the only little red atlas point-of-interest square I know that highlights a functioning imbibery — in this case, the Buckhorn Saloon & Opera House in Pinos Altos, a 7,000-foot elevation mountain hamlet that is commonly referred to as a “ghost town,” not because only ghosts dwell there, but because ghosts far outnumber the living. Though P.A., as it is known to locals, is now home to about 300 near-bouts stunningly demographically diverse souls, it is a place, like many Western locales, that once had a mining-era population so large that it takes a great deal of active imagination, and maybe even a hefty dose of psychotropics, to envision the supposedly 30,000 people who once hung their hats here. It’s not as though there remain rows of long-empty edifices prompting a visitor to merely wonder where everyone went, and why. Only a handful of buildings remain from the time when P.A. was actually the seat of Grant County. There’s the old courthouse, which is now for sale, though, as soon as prospective buyers hear story after story about witches, bat infestations and hauntings from hell (remnants of the hanging tree are still found in the front yard), they usually shy away pronto toward real estate environs that do not require immediate exorcisms. There are a few old crumbling adobe walls in P.A. And there’s also the Buckhorn. The Buckhorn is the first bar I visited when I moved to the Mountain Time Zone 35 years ago. I had been backpacking for several days on Tadpole Ridge and emerged sun-burnt, cactus-shredded, stumbling, exhausted, stinking to high heavens and dry of throat onto New Mexico Highway 15 just at dusk. I hitched a ride into P.A. and entered the Buckhorn looking for little more than a ride back to Silver City. What I found instead was a watering hole so flat-out special that it occupies a place of honor (well, at least a little red square) on page 131 of National Geographic’s “The American Road Atlas & Travel Planner.” I could easily spend several thousand words describing what makes the Buckhorn such a compelling place to tip a few brews, but that would require additionally herein inserting an equally lengthy tangent, wherein I would wax philosophic about the nature of bars and their place in the greater cosmos. Though I have that inclination, I do not have the room. Suffice it to say that the Buckhorn is one seriously splendid establishment. Now, cool as it is, one has to wonder why, out of all the worthy bars in the country, the Buckhorn was singled out by National Geographic to be an official point-of-interest in its road atlas. My guess is that N.G. employs people whose gig it is to cruise around the country looking for offbeat points-of-interest to include alongside the more traditional local museums and historic sites. (I would give a left nut to have such a job.) That person was likely traveling through the area, making certain that the Gila Cliff Dwellings were still located where they have been for 1,000 years or so, and, as he/she crossed the Continental Divide north of Silver City, realized he/she was feeling a tad dry. When what to his/her wondering eyes should appear, but a building that from the outside looks like it may very well crumble into a pile of dust as you’re sitting there thinking that thought. And — lo and behold! — of all fortuitous things, there’s a bar sign right there in the window, alongside another sign that proves beyond the shadow of a reasonable doubt that there is indeed a supreme being up there in the heavens, and that deity is the very one mentioned in the bumpersticker that proclaims: “Beer is proof that God loves us and wants us to be happy!” Yes, that second sign said, “open.” The N.G. point-of-interest verifier says fuck the Gila Cliff Dwellings and enters the Buckhorn, where he/she spends a convivial few hours enjoying the ambience, the beverages and the local color. Still, all things considered, there are other bars just in the Southwest as worthy of inclusion in the N.G. road atlas as the Buckhorn. Why then did the N.G. person report back to headquarters that — hold the goddamned presses! — this place needs to be on the next map? What separated the Buckhorn from Tucson’s Congress Hotel Bar or the Adobe Bar in Taos? Please allow me to venture a guess. Most noteworthy among the constants during the time I have visited the Buckhorn: Sitting on the same barstool —“Norm”-from-“Cheers”-like — has been a single solitary figure: Injun Joe. When I first laid eyes upon his disheveled self back when I had more future than past, I, like thousands before and since, thought he was verifiably corporeal. Maybe a little rough around the edges — hair a bit too long for a man boasting grey streaks, rumpled hat, tattered flannel shirt, ratty jeans, muddy boots — but, still, a living and breathing being. I might have even said howdy as I made my way to the bar that first time. Like thousands before and since, it probably took me a few minutes of sideways glancing to realize that Injun Joe had not moved a muscle since my arrival, not so much as a nervous twitch. Which prompted a more studied eyeballing, until I finally realized, like thousands before and since, that, though Injun Joe is surely endowed with a full ration of spirit, he was nothing more than a manikin with weathered-looking skin that had clearly spent far too much SPF-free time out in the blazing New Mexico sun.
It’s my guess that the N.G. person probably found him/herself parked next to Injun Joe that day, and Joe probably spoke in such a way as to compel him/her to make the Buckhorn an official point-of-interest. No place else has Injun Joe sitting at the bar. A couple years back, the Buckhorn was scheduled to close for what turned out to be an 18-month renovation that, rumor had it, would include new management. Joe’s fate was at that time unknown. The words “politically incorrect” were starting to get uttered. So, before the doors closed for the renovation, I brought my camera, pen and notebook up to the Buckhorn with the idea of formally interviewing Injun Joe, who, I should point out (with a combination of relief and concern), was, when the Buckhorn thank-godfully finally re-opened, re-placed on the very same stool in the very same spot he had occupied since at least the mid-1960s. Now, some of you might look askance at the notion of formally interviewing a, well, dummy. To that I respond: Hell, I’ve interviewed Scott McInnis and John Andrews. Obviously, my standards ain’t that high. Besides, this would not mark the first time that I had chatted with Injun Joe. One of those long-ago days, I had eaten what I learned later was not only too many, but too many by a factor of 10, fresh Maine Liberty Caps. That was the time, just as we were going by the sheer 1,000-foot drop-off near Cherry Creek at 60 m.p.h., that my buddy Kerry, who was driving, turned to me with shock on his face, took his hands off the wheel, started pushing on his own chest (the car was by now starting to careen, much to my consternation) and told me, with a degree of earnestness that was downright captivating, that his heart had stopped beating. (I did not know whether to laugh or cry.) I consider the fact that we safely made it to the Buckhorn that day to be among my greatest accomplishments. While Kerry lay across the street under a juniper tree giving himself CPR, I went in for a calming beverage, as high as a human being can be without seeing the bright white light at the end of the long dark tunnel. I parked it next to Injun Joe, who turned to me with a wry grin and asked: “Rough one, huh?” We talked for two solid hours about this and that, until I finally felt compelled to check on Kerry, who, still lying under the same juniper, said, frantically, upon seeing me, “’Bout time!!! I think I need mouth-to-mouth resuscitation.” Though lots of folks filtered in and out, for the duration of our chat, it was only Injun Joe and yours truly at the bar when I pulled my notebook out. Here’s a sampling of that interview. MJF: You remember me, Joe? Injun Joe: Sure. I still laugh when I think about your buddy giving himself CPR. Lucky you grabbed the steering wheel like you did. That’s a long ways down that cliff. I liked walking around there when I was young. MJF: So, you used to do a lot of trekking through the Gila? Injun Joe: This country flows through my veins. But I think my arteries are starting to harden. I worry about my heart. MJF: What exactly kind of Injun are you? Are your people from this area? Injun Joe: I used to think I was Apache, the direct descendent of Geronimo and Mangas Coloradas. But maybe that was just a story I told to impress the hippie chicks who used to come through town. They were into that sort of thing. I used to tell good stories. But what does it matter? You probably don’t know any more about your heritage than I do of mine. MJF: Yeah, but my heritage comes from thousands of miles away. Yours probably comes from right where we’re sitting. Seems like you should know. Seems like something your people consider important. Injun Joe: Once you take up residence a bar, especially a bar with few windows, spatial relationships can get distorted. No matter where you are, you find yourself a million miles from your roots, a million miles from the dreams you once held dear. That’s the worst part — not just not fulfilling your dreams, but forgetting entirely what they were. MJF: So, what’s it like, sitting on the same barstool by your lonesome, all day, every day? Injun Joe: I’ve been hugged and kissed by people from all over the country. You know … you’ve seen those over-cologned big-haired Texas ladies with the low-cut dresses rubbing their breasts on me. They take lots of photos. I’d hardly call that lonesome. And, on crowded nights, they move me back by the bathrooms to free up room at the bar, so I do get a change of scenery. MJF: Yeah, but the over-cologned Texas ladies take their photos, laugh a bit, then saunter back to their tables. They don’t try to get to know you. Injun Joe: OK, you’re right — it’s superficial. They leave, and I revert to being, at best, a decoration, and, at worst, invisible. MJF: As the Buckhorn was gearing up for its big renovation, did you worry that you maybe wouldn’t be coming back, that you’d just be stashed in some storage room or tossed into a dumpster? Injun Joe: The hereafter doesn’t frighten me. There’s a good chance the Buckhorn is my hereafter. Either way, at least I ended up in a nice place. They have a lot of good live music. The staff is pleasant. Time was when my kind wasn’t even allowed in places like this. As far as what they do with my physical body if they ever decide to ditch me, I guess I’d like to be taken out into the Gila, maybe somewhere up on Tadpole Ridge, and left sitting under a tree, where I can watch the light play off Bear Creek Canyon. I had a vision up there once, back when I had more future than past. I liked the potential I saw during that vision. MJF: Look, man, as much as I personally fantasize about your lifestyle, about never having to leave the Buckhorn, I just gotta ask: Do you want me to break in here some night and take you away? You know, set you free? I’ll do it. I’ll take you up to Tadpole Ridge and sit you up under a tree. Just say the word. Injun Joe: No, you’d probably get caught and get in trouble. You’d blab, the way you do, and they’d end up writing a story about you in the paper. I guess what I want to say is that I’m comfortable right here. Was there a time in my life when that would have mortified me? Sure. But there are worse things than being a decorative remnant of the past. At some point, all of our stories end. What can you do when it’s already too late? No, I think I’ll just sit here a while longer. Been feeling pretty tired lately. You don’t come up here as much as you used to. You should consider spending more time here. You can even try out my barstool when they move me back by the bathrooms on busy nights. It’s actually pretty comfortable. You can get used to just about anything.
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Always threatened to run off and join the circus? Good news… it’s within the realm of possibility with even more options and you can stay based in your mountain home paradise. You can still run away and throw your hat, and most of your clothes for that matter, into the world of burlesque. It doesn’t matter what gender, age or body type, you can take off in your new chosen career in this traditional enticingly provocative musical strip tease revue that’s making a huge comeback in both mountain towns and cities. If you’re unfamiliar with real burlesque and its variety of entertainment, it is in essence Gogol Bordello meets Mae West at Cirque du Soleil and the entire evening is sabotaged by the Keystone Cops as Nina Simone sings from a second story cathouse window while brightly colored feathers rain down from the skies.
Originally burlesque was a parody of the more ruling classes in England in the 1800s, making a travesty of popular songs, opera arias and other music that the audience would easily recognize. As it developed, the shows depended on comedy and a variety of acts including titillating strip teases that really didn’t show much but the audience thought they saw what they wanted. It gained its sleazy reputation decades after arriving in America and as the art of “Burley-Q” went into decline in the ’30s house managers depended more on female nudity to draw crowds. Alas for progress as porn became readily available and strip clubs and titty bars became the bastard child of the once grand offshoot of vaudeville. Not that there’s any shame in heading off with a fistful of singles to your favorite strip joint, but it’s refreshing to see authentic burlesque make a fervent return to whistling crowds.
And what better place than mountain towns where costuming up is a natural way of life and people are wondering what to do in their off season doldrums? In Durango, Colorado, a gaggle of talent unveiled itself at the initial call for auditions for a new troupe being put together. Bare Bones Burlesque and Salt Fire Circus director Tami Graham says, “Everybody’s Durango based. It’s amazing all this talent, an amazing oddity. It’s the perfect convergence of performance artists, musicians, jugglers, dancers and singers. We even have a strongman.” The show supports five musicians who play everything from a saw and Tibetan horn to traditional drums, bass, violin, accordion guitar, keys… but in an unusual genre. “It’s sort of gypsy meets circus meets its own style,” Tami has a difficult time putting their original music into a specific category. Current burlesque shows utilize live music, canned music and tracks and depending on the taste of the stripper and the act it can range from classical striptease songs and jazz to BB King and Marilyn Manson…. with accents marks for bumps and grinds, of course.
Having successfully survived its third winter the show is a combo of old time circus with burlesque and sells out quickly. “It’s because we all like to be entertained. The sex appeal of burlesque is enjoyed by everyone… men and women. These are very real talents. It’s a great adult circus and mountain towns have always supported great entertainment,” Tami has a sense of showmanship beyond the beloved bar follies of beer and wet tee shirts. The troupe plans a summer tour this year through Crested Butte, Aspen, Steamboat and lots of other mountain locales. “We all know people in all these towns because we’re mountain folks ourselves and these audiences make it fun since they’ll come to the show in costume at the drop of a top hat,” Tami says. For the past couple of years small mountain communities witnessed the unbridled kitschy antics and talent of the Yard Dogs Traveling Road Show, a San Francisco based vaudeville troupe, who performed to full houses and whose numerous fans mimicked the performers’ stage style attending their shows with painted faces, bustiers, bowler and top hats. Mountain men groomed their curled mustachioed guise for weeks prior while women browsed online Frederick’s of Hollywood catalogs.
Down in southern Colorado, Peaks and Pasties have been shakin’ up the shimmy since 2008 with traditional burlesque and boylesque shows. That’s right men, in boylesque you too can dress to undress. The delightful Lola Spitfire, director/creator of the troupe confirms there’s no age limit for performers in the genre, “The legends of burlesque are sixty and seventy year olds who still perform, take their clothes off and twirl fire tassels. The beauty of makeup and corsets is that burlesque is a celebration of all body types and all ages.” Finally, there’s hope and encouragement for even geezer girls… it’s all in the art of squeezing anticipation from the audience. “It’s a strip tease, you don’t see all the goods but you see enough,” the sultry Miss Spitfire says.
If you don’t know how to do it but have a burning desire to twirl fire tassels and learn the artistry of stripping there are schools across the Rockies in places you would never expect. Miss Spitfire is the headmistress of The Spitfire and Sparkle Academy of Burlesque in Pueblo and a producer of The Colorado Burlesque Festival, which takes place in Denver July 7 through 10, 2011. This gives you plenty of time to get your act together, find your corsets, boas, learn to juggle, redefine your id and pump up everyone’s libido. Burlesque is still alive and strutting it and we’re all invited.
Wherever you are right now, drive 14 miles. Depending on the direction you’re coming from, you’ll either turn right or left at the fourth unmarked dirt road. Follow this road until it forks. Turn and drive toward the sun — east or west, depending on the time of day.
After a sufficient amount of time, pull over and park your vehicle under the big juniper tree — the one with the illegal fire ring, shotgun shells and beer cans under it. Be careful so that the glass shards don’t puncture your Go-Lite neoprene shoes. After parking, fiddling with your gear and checking the nifty compass on your key ring that doubles as a faux carabineer (strong enough to hold the weight of, well, your keys), it’s time to hit the trail. Drop into the first wash on your right and follow the coyote tracks. After two hours of brisk power hiking — or 30 minutes meandering — you will come to a large, red rock that is distinguishable from the other large, red rocks by its largeness and redness. Admire it and continue on.
Soon, you will cross an extraneous road. And another one. And then another goddamn road. Curse it, piss on it … and then get used to it. There are many more. Next, when the wind shifts direction, so should you. (And remember, keep drinking water! This is the desert, after all, and there are many more roads to piss on.) Next, ascend — all the way to the top! — the sand-slide that forces you to take three steps back for every half-step forward.
However, if you hit the pristine, untrammeled, untouched area, you’ve gone too far. Stop and go forward in time.
Finally, after hours, days — and sometimes years — of this, after cursing the author, after asking repeatedly, “Are we there yet?”, you take off your Oakleys, open your eyes and realize, holy crap!, you’ve always been there. The whole time you’ve been waiting to get to the money spot that’s worthy of bragging rights and interminable slideshows, you’ve been surrounded by expanses of redrock, fine coral sands, pungent sage, inviting potholes, forgotten drainages full of remnants of the past, canyon wren song and the dizzying swoops of swallows. The first Indian paintbrush of the year is blazing at your feet, and the most beautiful cloudscape that no atlas can map is above your head.
In your search for that one brushstroke of Eden, you missed the whole damned canvas full of paradise.
Now that you’ve reached your destination, don’t retrace your steps to the car — in fact, think about abandoning that hulk of metal — but instead find a way to make a loop or a zigzag or a geometric shape we don’t yet have a name for. Thank the author for your enlightenment. Send money. Repeat as necessary.
There are maybe a dozen of us, sitting on folding chairs at the center of three empty acres of old cracked concrete, listening to a young man and the wind play on a long wooden flute, and watching a dancer courting the concrete.
She lies on it, slithers along it, lays her cheek on it. But the concrete is unmoved. Finally she rises and walks off into the vast flatness of the slab, past the brown stickery weeds growing out of the cracks, walks to where its flat horizontal plane ends in a long vertical plane of more concrete, while overhead a flight of geese honks toward the horizon, a distant train answers from a crossing somewhere off toward Commerce City, and the cirrus-streaked sky is what it always is, everywhere.
Watching the dancer trying to humanize this vast forlorn and empty place, my mind wanders off to something Ed Abbey wrote back in the 1970s — a newspaper article someone sent me. I carried it around for years, folded up in my first copy of “Desert Solitaire,” until that book wandered off as books do, the clipping with it.
It was a short essay about a visit to an abandoned pier or dock area somewhere in New Jersey, where Abbey lived and worked before he moved full time to the Great American Desert. The nut of the piece was his observation that that abandoned, filthy, polluted, derelict industrial remnant rotting into the water was the real American wilderness. Or the new American wilderness, something like that: basically, it was an American wilderness — a made-in-America wilderness. It was not the kind of place around which anyone would think of making a “wilderness park,” but at that point in its devolution it met the basic “uninhabited by humankind” criteria of wilderness.
To say anymore would probably be putting words in his mouth — a good way to get haunted by his acolytes, some of whom probably have that little essay laminated. But back when I first read it, that little essay made me think about my own life — a little defensively. That’s the unsettling quality of Abbey’s work, like this dancer’s work too.
At the time I was — so I thought — living on the edge of the real American wilderness, up in the mountains of Colorado, a quarter-mile or so from the boundary of the Maroon Bells-Snowmass Officially Designated Wilderness Area. We were winter caretakers six miles beyond the end of plowed-out civilization. Me, my partner in parenting, our young son, and eventually our even younger daughter, who is now the dancer trying to engage, embrace the three-acre concrete slab.
Speaking only for myself (a luxury the dancer didn’t have then), I was there for the same basic reason that Robinson Jeffers sent messages back from out in the middle of nowhere most of his life:
“…for my children, I would have them keep their distance from the thickening center; corruption Never has been compulsory, when the cities lie at the monster’s feet there are left the mountains.”
From my perspective, that pretty well says where we were, and why. I did not delude myself that we were “self-sufficient” in any meaningful way: we packed in a lot of canned goods and dry staples every fall, earned mostly by working construction on houses that represented the ultimate tentacular sprawl of “the monster,” and what I mostly did while there was try to write things that would sell in “the thickening center” from which I imagined myself to be in a kind of Byronic romantic retreat. It was not what today I would call an economically, philosophically or environmentally sustainable situation.
But that place was where daughter Sera was born, out of the Perseid meteor shower one August night. In her early years, we imagined Sera to be a “Heidi,” a child of the high places, the still pure and unspoiled places. And for a time, that seemed accurate: the first time we took her to Denver in the summer, she all but collapsed, basically passing out on the bed through the hot afternoons. I imagined her becoming a permanent resident of the High Country, like me.
But at some point, she — moved on. Moved down, I should say, down into the thickening center. She kept to the mountains into her college years, following Norman McLean to the river that ran through Missoula and the university there. She majored in dance — the daughter of two not very successful artists who did not learn from our bad examples.
But while there, she learned about a dance teacher sat Smith College in Massachusetts that intrigued her, and through a masterful act of National Student Exchange wangling, she managed a senior year at Smith on Montana in-state tuition. And after graduating, she followed her mentor to “Monster Central,” moving not just to New York City, but uptown to Harlem.
She was there to help get a very multicultural dance company started, and effort that ebbed and flowed for several years — she actually got praised, by name, in a New York Times dance review once, some kind of a benchmark for young dancers. But it was also where she began her flirtation with that other American wilderness Abbey wrote about so briefly, the made-in-America wilderness of uninhabited ruins exhausted and abandoned by industrial civilization. Our “wildernext.”
Dancers in New York need some kind of paying work to support their habit, and she karma’d her way into a job at Battery Park — the extension of the original park, up the side of the island, an enlargement of the island literally built on the rubble dug out for the basements of Manhattan’s skyscrapers and dumped in the Hudson River. It started as a summer temp job, but she discovered an affinity with plants, and on the strength of that, plus her affinity for working well with others, was invited back the next summer. And when the dance company finally ebbed terminally, the Park took her on full time, benefits and everything, with the title of “horticulturalist” — a dancer with one survey course in biology, but a good mind and good OJT.
While working at the park, she got a crash course in “reinhabiting ruins” on and after 9/11. She was working that day — hit the ground when the second plane went over the park full throttle a few hundred feet above them. The rest of that day and for the next month, she worked through the death-snow of asbestos and gypsum that fell on everything, turning the lower city into a temporary ruin dominated by the seven-story mountain of debris at its center. She’s one of several thousand “9/11 heroes” named in a memorial book the city created.
But — living in New York, living in Harlem. Jeez. I visited her there a couple of times. The best thing about the neighborhood she lived in was that it was in fact a neighborhood. A busy one. It was not dangerous, in the way we outlanders think of New York as being dangerous, because there was always someone around, someone watching, loafing, listening, commenting; it would have been embarrassing to try to commit a street crime there (although bodies — ODs — occasionally turned up in the little park across the street from her building). It would have been easy to find a fight if you wanted one, but nobody seemed to be really looking for one. It was my first experience at being an invisible, ignored minority. Trying to sleep up in her fifth-floor apartment (the elevator often worked), with both the humidity and the temperature of that heat-island hovering in the eighties at midnight, I reminded myself that at least it wasn’t a dangerous neighborhood; it was too damn busy, too damn noisy to be dangerous, but damn I wished the guys drinking and yucking it up down by the goddamn dumpster would just shut up for a bit …
The old apartment building she lived in was handsome, with once-polished marble in the foyer, and the elevator was probably once the wonder of the block — but it was the same marble, same elevator a century later. The walls of the apartment had that layered look that old apartment buildings get after the consequences of scores of residents have been painted over and over again.
Going out in the morning, I wasn’t depressed by the city, I was oppressed. To me, it was a city of stone ruins — ruins still inhabited, ruins even loved by their inhabitants. But it was stones that had been floated into place on the strength of dreams, visions and hopes that were either worn out or getting that way; the stones no longer floated in place; they weighed. To me, the city felt heavy with a past that was wearing out. It was infiltrated in a lot of places by tall alien invaders of glass and aluminum, but the overall feel to me was a weight of stone that was no longer buoyed by a future.
Walking around downtown, I remember coming around a corner to see, there before us, the marble entrance to one of the older Manhattan bridges, built when the city still had its magical future — a magnificent structure that seemed to say, this is not just a bridge, this is a monument to the idea of crossing. Crossing to what? Well, today, it crosses to Brooklyn, Queens, wherever, but that hardly warrants such a monumental entrance.
It was the same throughout the city, for me. The Empire State Building — again the city’s tallest skyscraper — is as graceful as a muscular mountain of stone can get, a monument to reaching (as opposed to the blocky arrogant monuments to in-your-face bigness that now don’t even exist as ruins). But it is a monument to a time when “empire” was still considered worth reaching for, not yet a dirty word. We walked across the Brooklyn Bridge with its cathedral towers, and went below it to the old Brooklyn Ferry dock, where Walt Whitman’s lines to “Mannahatta” are inscribed to the fabled skyline across the water — but inscribed on a fence, not a gateway.
What did Sera see here? But I remembered my father paying an early fall visit to the cabin we were living in up at our place six miles beyond plowed-out civilization. He saw no romance, no vision; he just saw a kind of decrepit cabin, surrounded by weeds and woods and mountains, where we were proposing to raise his grandson. “It’s dirty,” he later told my sister, who was traveling with him. So why should I expect or hope to see what my daughter was seeing in this slow heavy settling at the thickening center?
What I could really see was that she was working really hard to stay there. From 125th Street in Harlem where she had a sublet, it was about seven miles down to Battery Park. When the weather permitted, she bicycled down the parkway along the Hudson; other days she took the subway. If the weather turned really miserable while she was at work, she might have to lug her bicycle home on the subway. Just getting to work struck me as a day’s work. And when the summer air squatted over the city and didn’t move for days, squeezing the shit out of thousands of bags and dumpsters of not-yet-collected garbage, and even cold baths and wet sheets at night couldn’t keep the body temperature under 100 for long when the whole damn heat island was over 100 … It was a hard life, far harder than anything I had ever experienced in my retreat to the mountains.
Somewhere out of all that — mostly out of the park and her work there, I am guessing, but maybe also out of the mountain of 9/11 debris on top of the growing weight at the laboring heart of an industrial civilization growing older — out of all that, she hatched the idea of going back to school, and next thing we knew she — a dance major — was applying to graduate schools in Landscape Architecture. And she got accepted, back in Colorado at the University of Colorado-Denver campus.
Where she now seems to be evolving toward some kind of a vision for the reinhabiting, the resurrection of places like the wilderness created by the world from which Ed Abbey and her father were in retreat. The late afternoon event on the concrete slab was the culmination of an independent study in which she was applying a dancer’s perspective to a place similar to Abbey’s piers — a place worn out and left behind by the forward march of America, a made-in-America wilderness that was what was left of a row of abandoned warehouses after two of them had burned, opening the space up to the sky and the rain of nature in the form of precip, wind and seeds. “For the cold, abandoned feeling already present in the space,” she said in her paper about the study, “what is offered is an excellent starting point for seeing the human body in a landscape where the code of industry is written.”
In Abbey’s terms, she is exploring the wilderness — but a rougher wilderness than Arches or Maroon Bells-Snowmass. In Jeffers’ terms, she is engaging the monster — but at the end of its age, not its beginning, and not as an adversary, but as a researcher wondering how it can be restored to some kind of life.
In the spring term, she will be designing “Roots,” a journal the Landscape Architecture program puts out. The theme for “Roots” this year is “Forgotten Spaces.” “There are some places that cling to life through decay,” the prospectus for the journal says. “They exist, not as they once did, but rather in a suspended state where neglect and time have displaced their former purpose.” Such places (like the three-acre concrete slab) “are peppered throughout the urban landscape and beyond, are quite likely undesirable, and assuredly have untapped potential.”
One July weekend when she was only five, Sera and I hiked through the Maroon Bells-Snowmass Officially Designated Wilderness Area, to visit friends in Aspen — I’m not sure what I was thinking, a five-year-old on that kind of hike. We were under-prepared for the amount of snow that was still on West Maroon Pass that year, and the nastiness of a July afternoon snowstorm that caught us; I had to posthole up to the pass, carrying Sera on my back, to the shelter of a rock on the other side where I put her in a sleeping bag for a while to warm up. I was too terrorized myself by my own unpreparedness for how really nasty it had gotten to feel cold or tired.
Warm again in the woods below the pass, the storm transformed into a cold but gentle mountain night. We were full of the exhilarating gaiety you feel when you realize you’ve done something stupid but gotten away with it. We laughed when I charred our wet socks trying to dry them out, laughed at the new pair I made for her by cutting the fingers off an old pair of wool gloves.
But I can’t help but think what a relatively tame wilderness mine is today, compared to these abandoned, poisoned, haunted “urban wildernesses” for which she is beginning to develop some kind of a still-embryonic vision for restoration, resurrection, reinhabitation — but by some new “code” for the land, not the “code of industry” in which the straight line, flat plane and monstrous rectangular enclosure dominate, constructing an efficiency that might inadvertently starve whatever it is in humans that leads them to dance.
It is both a proud and forlorn moment for a father, to realize that, somewhere along the line, after your years of tending, extending and pretending to lead, show, set examples, et cetera, your offspring have sprung off into some totally new and unanticipated arena of life, where you are only going to be able to watch from the near edge, wondering what the hell they are doing — and marveling as they do it. The wildernext.
Senior correspondent George Sibley is a writer, father and retired educator living and working in Gunnison, Colo.
Local Apparent Lunchtime is one variable of celestial navigation that is usually possible to estimate with a great deal of accuracy. When you are not allowed to handle the oars, or raise a sail, and your craft is only an inflatable rubber life raft, your mind travels naturally toward something good to eat. At sea, after two weeks and some heavy weather, it’s a crisp salad with plenty of ripe tomatoes you’ll want. But on the river, it may be only a long drink of cool water, and a ham sandwich. Why a ham sandwich? Because given the choice between a ham sandwich and Eternal Bliss, the correct choice is a ham sandwich, since nothing is better than a ham sandwich!
Despite my grown-up age, I’m suffering a premature case of panic at the thought of what lies ahead. Call it existential dread, a kind of pre-terror before the real thing arrives and wraps me in a stomach-churning, middle-of-the-night state of icy apprehension for the rest of my life. I had hoped to secretly enjoy the warm, sticky nostalgia that often accompanies a visit to the scenes of one’s youthful meanderings and misdeeds. Dangerous Daryl, who is sitting beside me on the shuttle bus to the Portland airport, appears unfazed about what is coming. Our fellow passengers are two couples, roughly in our age range (mid-50s to mid-60s), certainly not of our mountain tribe, and about to embark on their holiday. They are in high spirits. The women giggle at one another’s jokes; the men, wearing pressed jeans, new tennis shoes and cotton Hawaiian shirts, nod and grin. Happy campers.
To gauge our sociability, one of the men leans toward Dangerous and in a conspiratorial voice announces that they are on their way to the Hawaiian Islands. Idle, good-fellow vacation banter follows. The women eavesdrop, until one, eyeing our backpacks and antique kickback chairs, brings the verbal ships-in-the-night-love-fest to a halt. “Where are you two going?” she asks. It is clearly a demand dressed-up as a request. I am not sure why, but before Dangerous can reply, I blurt out “1972.” Silence fills the shuttle bus like icy Arctic Ocean water pouring into a sinking boat. The women lean closer to the men; the men fold their arms and wait. Dangerous, who cannot hear out of one ear, is still smiling. The few seconds of pause feel like an hour in time-out. Finally, my she-interrogator has sized me up as the smart-aleck I am. “Ha! 1972. Ha! Ha!” Everyone breaks out in laughter. She is, however, not done with me. Arms-folded-and-teacher-like, she waits for the correct answer: a place, a destination, a fixed point on the map. How can I tell her this is no laughing matter? Where Dangerous and I are headed, Place and Time are inextricably entangled, a motherboard of tall tales, communal narratives, decades-old rumors, fleeting glimpses and fading memories.
In fact and space, we are bound for the Mountain Round-Up and Pig Roast, the biannual rendezvous of Bear Valley-Ebbetts Pass residents past and present. The three-day event is held in the hamlet of Sheep Ranch in the foothills of the Sierra Nevada. The better-known town of Murphys, California, is nearby. In 1860, gold was discovered in the area. A boomtown sprang up overnight, harboring five gold mines and fifteen saloons. At one time, the two-story Pioneer Hotel and Bar, ground-control center of the Mountain Round-Up, competed mightily with the Eagle Hotel for patrons looking for comforts and distractions. The last time I attended a Round-Up, nearly 30 years ago, I was single, immortal, foot-loose and fancy free in a way only mountain life allows.
During the early 1970s, Dangerous and I lived in Bear Valley/Mt. Reba ski resort, an hour’s drive and a few thousand vertical feet up Highway 4 from Sheep Ranch. The marketing department had labeled the area “the best kept secret in the Sierras,” an oxymoronic phrase that to this day carries the scent of mountain tomfoolery and a sliver of truth. Due to historically outrageous amounts of snow, Ebbetts Pass (Highway 4) closes in the winter. Marketing the concept of an uncrowded destination ski resort, vacation homes and luxury condos (with a relatively limited night-life, a handful of shops and minimal, but essential, services) on a dead-end winter highway with snow banks ten to fifteen-feet high in places, however, was always going to be a challenge. Nearby Lake Tahoe, glamorous but swarming with tourists, was the perfect Las Vegas-like foil for The Secret.
In spite of these climatic and geographical handicaps, the area showed promise when it opened in 1968. Throughout the early 1970s (if you didn’t count the drought years of 1975 and 1976), the area thrived. Ski racers, instructors and patrolmen came from the nearby ski areas of Dodge Ridge and Lake Tahoe, as well as resorts in Utah, Colorado, France and New Zealand. Hollywood celebrities, seeking sanctuary from the publicity storm, arrived with their families and found themselves welcomed into the life of a small mountain town. The lack of through-traffic and the intimidating amounts of snow gave the area the lure of a ski-town beyond the pale, a location where you could get in, but perhaps not get out. The pristine natural beauty was enough to make you cry. The lift lines on Mt Reba were ridiculously short midweek, the ski passes reasonably cheap. Demo equipment could be purchased for a pittance. One could step out one’s door and cross-country ski into the backcountry. Locals were friendly, irreverent and hard working (depending on the season). Lacking entertainment and with time on our hands, the community embraced the child-like concept of making fun out of high-altitude thin air. The Mad Hatters Ball (to celebrate the end of the season), the Bastille Day Parade (to celebrate French Independence day, but mostly an opportunity for locals to make and wear silly costumes and parade flagrantly through town) and the Spring Street Olympics (to get the same locals out of the bars on those stunningly beautiful warm spring days in the Sierra) were anchor events in a sea of chronic spontaneous efforts at making our own fun. None of these events were scripted. Ski-resort management had yet to realize the value of these “natural” happenings, much less corral and co-opt the local madness into marketed events. Signs of a maturing community appeared — a library, a fire station and a grammar school. Locals became involved in local governance. Nevertheless, Bear Valley had the feel of a frontier village wonderland, a place with promise, where the first residents might claim bragging rights for having stumbled upon a real find.
The two cops in town were actually Alpine County sheriffs. Markleeville, the county seat, was on the eastern side of Ebbetts Pass and unreachable for seven or eights months of the year. Thus, the Law Enforcers and the Law Benders were stuck with one another. To their credit, the cops realized that the locals, though hopelessly beyond redemption, were harmless, fun-seeking missiles. As long as the miscreants were reasonably well-behaved and willing to listen to a common-sense warning why they should not be spinning donuts in the icy parking lot in an overcrowded VW van, a relatively harmonious relationship existed. How can you make an enemy of someone who you may be sitting next to at the bar on Saturday night swapping horror stories of driving up the Pass in a whiteout with no chains? Live and let live. Don’t ask, don’t tell. Hide and seek. The handful of restaurants, shops and bars coupled with the jobs on the mountain provided enough employment to keep economic life viable. If you found your way to Bear Valley and stuck it out, you had landed in an unlikely high-altitude Paradise, the perfect place to misspend one’s youthful capital.
Depending on who you talk to, the Round-Up/Pig Fest has been going (with occasional unscheduled lapses) since 1980. The location in the Sierra foothills has remained steady, although the exact venue had changed on occasion, usually without warning. Attendance ebbs and flows depending on births, deaths, weather, regular jobs, the feeling that you may have outgrown mountain reunions, the desire to avoid people you hoped to never see again and the wish to not disrupt the stories you have told yourself (and possibly your children) about those glorious days in the mountains. The chances of being reminded of who you once thought you were, or worse, that you haven’t changed one iota and are the same self-absorbed, beer-swilling, fun-loving, risk-taking suntanned idiot boy (or girl) are better than average. Returning to Sierra Mountain Past Time (SMPT) is more akin to making one final late run in the black-diamond zone of the mountain with a storm rolling in. Advance at your own peril.
It was Dangerous who alerted, then cajoled, me to this year’s Roundup. Given our ancient common mountain vices and background, it is hard to believe that we fall on different points along the political spectrum until I remember that he once owned a Doberman named Killer and was a volunteer deputy in town. He was also an excellent ski-instructor and damned good, cool-under-pressure dinner cook who tolerated no excuses when a waiter or waitress failed to pick up an order within ten seconds of the order-up bell. Think of the position Roger Maris or Roberto Clemente played; Dangerous is now firmly ensconced somewhere in the bleachers, high in the bleachers. No matter. He can’t help himself and has been generous enough to use his executive business card that allows us to literally walk through the car rental agency at the Sacramento airport and step into an upper-tier vehicle that screams speed and comfort. As we drive out of the parking lot, Danger hands me his GPS. I have to search my short-term memory for the meaning of the acronym: yes, of course, GROUND POSITIONING SYSTEM. Good to know where you are going and how to get there. It is, however, yet another nagging reminder that the shape of Time and how I measure it at 60 has undergone irreversible change. I lack the will to scale the peak of my hard-earned indifference to electronic gadgetry and so I fumble halfheartedly with the pocket-sized nuisance. Danger finally pulls over and rescues me from my Luddite intransigence. He pushes a few buttons and magically the compact screen lights up with a cartoon image of a highway in primary colors of our exact location (in real time), estimated arrival time and mileage. He slaps the miniature gadget to the windshield, a screen upon a screen.
No sooner do we miss the off ramp that will carry us east toward the Sierra, and then the seductive voice of a woman challenges my “we-don’t-need-no-stinking-map” inclinations. This is not the gravely, no-nonsense tone of a post-modern ramrod like Rowdy Yates/Clint Eastwood of “Rawhide” fame. I have, however, heard the faceless feminine intonation with the tidal pull before. But where? Everywhere, of course: shopping malls, robo-calls, grocery stores, kitchen gadgets and social networks. Welcome to the 21st century. I cannot help but like her. She is calm and self-assured, I suspect, as long as we do her bidding. She-who-must-be-obeyed will get us to the Mountain Round-Up whether we like it or not.
Near Lodi, we bend and wiggle east on two-lane back roads through farm country. The spring sunshine is California-dreamland-soft; the scene at 75 mph is all blue sky, green fields, honey and promise. I put my hand out the window and surf the warm air. Danger and I swap mountain stories built on common memories. When he offers another interpretation (actually based on facts that I did not know, but suspect are true) of some of my long-cherished mountain narratives, I am forced to reconsider the possibility of large and time-consuming revisions of the mountain stories I have been telling myself for thirty years. Shit!
Dare I count the numerous leave-in the-middle-of the-night road trips to Tahoe, Reno, Sun Valley, Sandpoint, Jackson Hole and Aspen 35 years ago, tra-la-la-ing along back roads and empty desert highways, through anonymous towns and over mountain passes, gloating when our sense of direction matched reality, cowering when the flashing red lights pulled up behind us as we hid the beer under the packs and gear. We traveled on cheap gas and a shoestring; I could hear an unlikely crowd — Muir, Whitman, Frost, Kerouac, Watts, Roethke, Dickenson and Thompson — in the jam-packed backseat arguing or singing or sighing over the great American landscape. I shudder to think what they might say about my present mode of travel, not to mention my growing affection for the electronic Muse. Historically, I have been inclined to driving beater tank-like station wagons with one hand on the wheel and a creased, coffee-stained paper map on my lap. Leaving in the dark was mandatory, if only to make miles and have breakfast in some nondescript café as the sun came up. Who was that unabashed romantic of the road, distance and scenic viewpoints? Embedded in the wiggly lines, symbols, colors, numbers, altitudes, place names and road notes, of course, was a universe of chance, mystery, adventure, error and redemption, cycles, rhythms and seasons, overwhelmingly American in nature, though not obvious at the time. To this day, a tired cardboard box of yellow, weightless, marked-up maps sits under the stairs, calling.
The fun of those mountain joy-riding adventures, of course, was the promise of an encounter with the unexpected and the raw thrill of physical movement over great expanses. With a smattering of Western literature coursing through my addled brain, the myths of the West — frontiers, greener pastures, fresh starts, eternal possibilities, heart-stopping beauty — came alive. Oblivious to any consequences less than extremely serious, we courted serendipity and the offerings of the road — broken-down cars, roadside attractions, lonely miles of desert highway, cold green rivers on hot days, bars, hitchhikers, restaurant waitresses, scenic wonders that came and went in the bat of an eye and left our ignorant souls brimming over. What would my electronic Muse have to say about the pleasures of taking the wrong turn, straying off the beaten path, getting lost? Enough. I can hear the grating sound of my memories side-slipping into the gully of Nostalgia. Me thinks it’s time for a shot and a beer to halt the unseemly descent into wistfulness. Dangerous and I stop at a roadside establishment seeking refreshment, something rundown, earth-smelling and dark enough that customers go unrecognized at lunchtime.
Wallace, Valley Springs, Mokelumne Hill — the valley and foothill towns roll past and recall vague, pine-scented memories. We reach San Andreas and turn into the spring-fresh-green foothills of the Sierra. An hour of winding, light-dappled back roads brings us to Sheep Ranch at our estimated time of arrival. We have avoided the joys of getting lost. Our electronic guide purrs, and then falls silent. Sheep, which outnumber residents, crowd the Main Street. We slow to a crawl. Up ahead, the Pioneer Hotel. We drive through the gate. Base camp. Ground Zero. Visitor’s Center to SMPT.
The Pioneer Hotel hasn’t changed in thirty (or one hundred?) years. The two-story, century-old hotel exudes a shabby, effortless charm and a structural predisposition to leaning. The wrap-around veranda is lined with overstuffed couches and easy chairs, the perfect location for morning-coffee-spiked-with-bourbon and repetitious storytelling. If nothing has changed (and everything), the interior is complete with creaky floorboards, a belly-up bar, ornate red wallpaper, high-ceiling rooms and Gold Rush memorabilia. Being a virtual tinderbox, smoking is not allowed in or near the wooden building The grounds around the hotel are green and overgrown. Black oak and ponderosa pine line the broken-down wooden and barbed-wire fences. There is no gas station, store or post office in Sheep Ranch. The town had its zip code revoked (it is unclear why) and residents pick up their mail in nearby Mountain Ranch.
Dangerous and I linger in the car, engine running. Escape is still possible. Four figures pitch horseshoes on a patch of dirt along side the hotel. They turn, they stare at the sleek rental car, huddle together unable to recognize the occupants, unsure if we are friend or foe. We can still back out of the parking lot slowly and dash for cover, if only the sheep will move.
The short guy with the grey mustache and cowboy hat, we both agree, is Cowboy. Portuguese ski-instructor-contractor-sailor-restaurateur-rancher-in-an-apron and primary organizer of the Mountain Round-Up, Cowboy is pushing 70. He moves light-of-foot like a man half his age and bears a passing resemblance to the actor Tommy Lee Jones. It takes longer to recognize Miller, 44, and son of close friends, who was in grade-school during my time in Bear Valley. Husband, father of three, Olympic-caliber racer and now a contractor in Murphys, Miller has the square jaw and compact build of his father, Jack, who died recently. When I arrived in the mountains, I somehow was pulled into the orbit of this mountain family, relative stable planets in the ski resort universe of shooting stars, black holes, and time warps. I ate at their dinner table, worked in their shop and slept on the floor of the family cabin after all-night sessions cobbling together editions of The Bear Valley Spectator and Boogie News, the resort’s first, only and last newspaper. The other two beer-clutching, horseshoe-tossing miscreants remain temporarily beyond our collective recall. Over the next two days, this failure of memory will be a recurring problem. Only when someone mercifully pitches a name to a face will the lens of recollection wheel into focus.
As we climb out of the car and step into the deep end of the pool of the Past, we are greeted with embraces, laughter, disbelief and beers. A round of bullshit chatter before Miller escorts me to a prime location between two pickups in a grassy corner of the compound, a rickety wooden fence at my back, a location I can crawl to if I revert too old habits. I am frankly touched by Miller’s concern of my welfare. A small wonder! He insists on helping me put up my two-man tent and asks if I need another cold beer. Base camp for an aging fun hog, my observational post to watch the Reign of Terror as it is unleashed. Later, we will spend a portion of the afternoon in the shade of his mobile home discussing fathers and sons. For now, I arrange my sleeping bag, fluff my pillow and place my headlamp within reach. I resist the urge for a quick nap. The couches on the veranda beckon.
Throughout the morning, a crowd trickles in. The families pitch their tents: circus-sized, room-sized, two-man. Others circle their trailer-homes under the ponderosa pines, wagon-train style. Solo pilgrims squeeze their lightweight miniature tents between the enclaves. The camps of non-breeding mountain bachelors are sprinkled around the perimeter, the outliers and boundary sentinels, the Swedish farmers of the High Sierra. Couples have taken rooms in the red-curtained, whiskey-stained, ghost-haunted hotel. No one will sleep well in the paper-thin-wall rooms with the bar below. A rolling tribe of children cruise the grounds before I realize they are not the spawn of my generational cohorts, but the grandchildren, rug rats of once-upon-a-time rug rats, evidence that it will be impossible to escape or soften the notion that Time has passed, is passing, will pass without some form of medication. Damn the little beasts!
Cowboy has spent the day preparing the 120-pound domestic pig for roasting. He has stuffed it with onions and garlic, and marinated Porky in some Portuguese concoction of mint and rosemary. The blaze he started this morning, fueled with a steady supply of hardwood, has turned into a fine pile of embers. Thirty or more of the usual suspects mull around, waiting for Cowboy to skewer the pig end to end. They are like characters out of Chaucer’s “The Canterbury Tales,” eager to join the procession to The Pit where the sacrifice will be laid to roast. A brown bottle of tequila makes the rounds. Sips instead of gulps, signs of adulthood, the moderation only the memory of youthful dancing along the edge can bring. Warnings about falling into The Pit are issued. Everyone nods in agreement. It is common knowledge that a decade or more ago (memories are fuzzy as the exact date), one of the evening tenders took a tumble into the Pit, only to emerge miraculously and without injury, her down jacket sprinkled with small bonfires and the smoke of burning fleece rising into the hill night air.
If all goes to plan, the pig will take 15 to 18 hours to cook. Cowboy has circulated a sign-up sheet for volunteer pig-guardians among the crowd. Duties include stoking the fire, rotating the beast on the spit a quarter turn every fifteen minutes throughout the night, keeping revelers out of The Pit, listening to stories you have heard a hundred times and telling your own stories as though they were brand new. Determined to pace myself and stay the course, I have taken a midnight shift. Charlotte, wife of Jack, mother of Miller and Henry, one-time co-editor of the Bear Valley Spectator, owner of The Dirty Nickel Co., and present-day hospital administrator, will stand watch with me. As the night grows chilly, the crowd closes in around the roasting pig. Gone are the wild days, the uproarious mountain behavior along with the stamina to push boundaries. The din is the tempered conversation of travelers who have survived the journey over the Donner Pass of our Mountain Life, managed not to devour one another, wonder how they got here and rejoice in that simple fact. When Charlotte fails to show up, I am left to shoulder the pig-guardian duties alone under a chilled mountain sky filled with stars. It is dark and beautiful.
Any chance for serious reflection is short-lived. Out of the shadow a figure emerges and sidles up beside me to join in the communal hypnosis a crackling, red fire pit offers. “Nice pig,” a feminine, non-GPS voice growls. A creeping sensation runs along my spine. I should know this voice. Ex-mountain girlfriends are not to be ignored or tampered with, even after three decades. Avalanche territory. Rainbow Star and I exchange safe pleasantries. It is not long, however, before the slippery slope of the Scorned Woman/Paul Simon “50 Ways To Leave Your Lover” Past beckons. Rainbow Star, of the sharp tongue, long memory and big heart, was always a woman to speak her mind. Her un-sugar-coated, tequila-stained review of my personal shortcomings would sober anyone up. It is far too late to beg forgiveness. I could agree to my relative immaturity with little cost, but I decide to feign loss of memory and well-timed silences. I can only cringe and hope the dawn comes up sooner than later. We agree to agree that “Life is funny” and let it go at that.
The smoke from the roasting pig wafts up into the second-story rooms on the backside of the Pioneer. A shadow appears at one of the windows. Annie Oakley, one of the bevy of fast, beautiful, untouchable ski-instructor-goddesses that left me gasping in the bars and on the slopes years ago, yells down in her throaty voice, “Is the hotel on fire?”
As the night wears on, the bulk of the crowd wears out. We mountain elders, who once skied all day, worked in the local restaurants at night, made sure the bars closed safely, made all-night runs to Reno to ski and gamble, saw the sun rise and repeated the routine day in and day out, are in retreat. I slip into the shadows beyond the cozy camaraderie of The Pit. In the belief that I will need my wits about me for the next day, I resist the temptation to visit The Bar. I crawl into my tent, congratulating myself for adult-like behavior. Before my head reaches the pillow, I am nose-diving into the Land of Nod, the muffled laughter of the next set of nocturnal pig-tenders playing a background lullaby in my ears.
The scent of freshly-brewed coffee percolates into my tent. Out of my sleeping bag, past The Pit with its handful of blurry-eyed, last-men-standing tenders, I drag myself toward the kitchen to fetch a cuppa Joe. The morning sky is a warm blanket of blue, the spring sun like a child’s yellow balloon on a short string. Whispers and giggles drift from the nearby campsites of families and couples. It’s an outdoor, circle-the-wagons sleep-over with a hundred of your closest friends. The breakfast crew is hard at work, preparing a small feast for a large crowd. Classical music, idle chatter, Bloody Marys. I’d like to help ,but the over-stuffed couches on the sunlit veranda are calling. I slip out and park myself lizard-like in one of the upholstered nests, sipping coffee with sunshine on my shoulder. I suspect I may be approaching a minor version of Wonder unwittingly. Does it happen like this? By chance? Can it last for an hour, a day, a week? Well, maybe ten minutes … an eternity.
Abe, Cowboy and Rose’s son, sits down next to me. Abe is in his late-thirties, soft-spoken with his father’s mannerisms and his mother’s eyes and build. A one-time ski instructor (like his old man), Abe grew up in Bear Valley. In his twenties, he did his time in the ski resorts of the Rockies, but returned to the Sierra foothills, Ebbetts Pass and Bear Valley: home. The last time I saw Abe, he was a mere sprout, one of the throng of eight-and-nine-year-old grommets who swarmed the mountain, skiing like they had come out of their mother’s bellies carving G-slalom turns. He remembers me, probably due to the stories his old man told him about our adventures cross-country skiing over the Sierra from Bear Valley to Mammoth Mountain or the sailing voyage in Norway, Sweden and Denmark. We share the sunshine and what-are-you-doing-now stories. Abe segues into a litany of fond memories about growing up in Bear Valley: snow camping, trudging through snow up to his waist, snowball fights, digging out the car with his dad, rushing to see a cabin on fire, summer hikes and backpacking trips. He remembers having a free rein, going into “town” to the general store, the Red Dog Saloon or the Altitude 38 (long since torn down) to hang out, play games and drink rounds of Shirley Temples at the bars. Someone was always around to keep an eye on the kids. He had never forgotten the first time his father took him into the Red Dog Saloon to show him where his name had been carved into the slab of varnished hardwood that served as the bar.
It is an unexpected relief to hear a young mountain dude talking about his “good old days.” I am spared the sound of my curmudgeonly self bemoaning the loss of my own good old days in the mountains. Wonder has ambushed me again.
Abe laughed at the thought that as a child he had the feeling of “missing out” on things that kids in flat land towns and cities had access to — malls, MTV, fast food, cool toys. He thought mountain life kept you humble. He treasured his father’s admonitions, once upon a time an irritation, about the importance of getting the seasonal work done in preparation for winter — cutting cord wood, cleaning gutters, patching holes, watching over burn piles, prepping ski gear. Not much fun, but there was something in the labor that made you feel alright.
Surveying the stirring campers and campsites, Abe marveled at the extended family and decades-long friendships of his parent’s generation.
Wonder of a different kind catches me napping. What of the Fun and the Mountain Party atmosphere common to ski-resorts? How did my parent-friends with mewling spawn like Abe manage? Late to the parenting game and with 16-year-old daughter who would love to know everything about her father’s Mysterious Past, I shudder, glad that my wandering ways did not allow me to father and try to raise children at the same time I was on the search for “peak” experiences in whatever form I could find them. Abe had seen it all, what he called “the good, the bad and the ugly” of the mountain scene. As he got older, he experimented with various drugs and drinking, not unlike kids in the suburbs and city. As he said, “The adults seemed to have fun with them, so why not?” Ouch! In hindsight it was plain to see that the trouble with life in a small mountain resort was that everything was hidden in plain sight.
As he reached adulthood, Abe found the most disturbing part of mountain life to be the realization of the casualty list among his parent’s (and my) friends. Serious consequences of the dark side of fun — jail-time, financial problems, addictions, family break-ups, despair, death before its time — awaited those who did not (or could not?) stop or slow down their partying. In the mountain culture of the late-’60s and ’70s, drinking and drugs were common recreational pursuits that dovetailed with the outdoors be-here-now, pedal-to-the metal, experimental, spontaneous exuberance. Was it any different than risk-taking at sea-level or the valley? Perhaps, in the sense that the mountains offered natural beauty and challenges that cracked your heart wide open on a daily basis. Strong, athletic bodies coupled with an unusually high degree of physical and mental freedom attracted a contingent of like-minded, risk-taking, free-wheeling souls, disciplined when discipline was called for and certainly not careless when climbing or skiing, but who liked to push the limits whether on the slopes, in the backcountry, all-night road trips or at the bar. Just where that mystical line, the boundary between soaring light and bottomless dark, good fun and irresponsible behavior, calculated risk and mindless foolishness lie was ever the challenge.
And there on the couch in the spring sunshine with Wonder tapping me on the shoulder and Abe as my unsuspecting cross-generational time-guide, a wave of sadness sweeps me away. It is the Dolores of Loss, the reawakening of the knowledge that, in the midst of the high times, strong bodies, playfulness, and blue skies of Mountain Past lurked shadows and portents of danger. Over the last two decades, a handful of mountain and river brothers had been lost to their demons, alcohol the main, but not only, protagonist. Two friends in particular had served as mentor-like figures. Talented, fun-loving, generous free-spirits who welcomed me to the mountains, taught me to ski and climb, shared the secret places, got my nose out of my beloved books and showed me how to have fun, to make mirth. Major characters in the core narrative of my mountain life, they had become figures in a cautionary tale. It is an inescapable fact that both friends, at some point, crossed into the Steep and Deep and Dark of self-destructive behavior. It is a troublesome observation that I strain to understand. Had they not seen the line? Was there no line to see or did they simply keep moving it beyond sight, and eventually, reach? When did the Creative Fun, the Mountain Energy morph into something else? Most of us recognized the Black Diamond signposts ahead and turned back.
Abe had opened his own door to Mountain Past and I was not going to let him escape without the question that always nags ex-mountain people: “Had life in the mountains changed substantially, for better or worse?” Abe, however, is saved by the breakfast bell. Place, Time and Memory give way to the search for a plate of huevos rancheros … and more java. A week later Abe emailed his response:
“There used to be a whole ‘mystery ski life’ that the world found intriguing and now that ski life is more a hobby for most. This has changed for the ski-bum too … It used to be neat to ski bum and sleep in the parking lot, but in today’s multi-million dollar neighborhoods, ski-bumming is frowned upon. That is another change I see is the people who flock to ski areas. It used to be everyone did. Rich and poor and young and old, would join up and having skiing in common. Today it is the old timers, the young people working at the mountain, and the wealthy who build huge houses. The wealthy usually only come up to their house several times a winter and never hang out with the others. There is now sort of a class separation at the ski areas.”
By mid-morning, the next wave of celebrants has begun to arrive. They come from the valley and the foothills and descend from familiar-sounding places along Ebbetts Pass — Alpine Lake, Bear Valley, Tamarack Springs, Ganns, Cottage Springs, Dorrington, Big Trees, Arnold, Fly-in-Acres, Avery and Forest Meadows. More tents go up. Circles of kick-back chairs sprout on the overgrown grass; teenagers prowl the grounds, looking to catch their parents in activity they have been warned about. The couches on the veranda are crowded; pockets of people in earnest conversation float about, shrink and expand, evaporate. A number of the owners of trailers have set up outdoor mini-bars, specializing in a variety of unnamable concoctions with rainbow-colored stir sticks, pink straws, umbrellas, flamingos. It is part circus, part pilgrimage of the usual and the unusual suspects: ranchers, bikers, bush-oakies, wine-makers, construction guys, lift-operators, grandparents, school teachers, young mountain hipsters, solid middle-class business types, beauty and adrenalin seekers, ski patrolmen, waiters and waitresses, hairdressers.
Clang! Clang! Clang! The horseshoe tournament is in full swing. Along the margins of the narrow strip of packed earth between the pits stand the spectators who encourage one another to distract the contestants with friendly verbal abuse and reminders of decades-old foolishness. The game itself, tossing U-shaped pieces of iron at a metal pole in the middle of a wooden, three-sided unfinished rectangle, suits aging bodies and wandering minds as long as none of the spectators crosses into the zone of rise, arc and descent, an apt metaphor for this crowd. It is a mountain minimalist exercise suited best, really, for mountain palaver. Opponents, of course, are paired together at opposite ends of the pits to pester the hell out of one another. Up on the porch, slumped in the couches, groups of ex-ski racers, instructors and patrolmen cruise the backcountry of their mortality, comparing health notes — hearing aides, cholesterol levels, blood pressure, skin cancers, back problems and colonoscopies.
The great mountain sun begins to dip behind the ragged ridgeline. The kegs have been tapped and the crowd hums. Cowboy holds court around The Pit, where the fun-loving specters of my Mountain Past have gathered in close tribal quarters. Pigpen, one-time renegade architect, loaned me a pair of wooden Bona skis for the cross-country ski trip to Mammoth nearly four decades ago. I cringe, wondering if he recalls that I brought the skis back in battered condition, looking like they had been run through a wood-chipper; HazMat (Hazardous Material), one-time Snow-Lord of the road crew and part-owner of the infamous Crazy’s Cantina — Latin Cuisine and Local Abuse (where many of us found work at one time or another), snaps digital photos for posterity’s sake. There is “Tomato,” who I shared a house with one season; Berta, who seems to have undergone a transformation, and Christine, who seems to have hardly changed at all, inform the assembled audience that they are on their way, “Thelma and Louise”-like, to Disneyland after the Round-Up. They dare anyone to accompany them. Tim gave me my first job in the mountains, a primo position as waiter at the Red Dog Saloon, my first season. Sam, a lead patrol man, who allowed me to tail him (to gather information for an article for the local paper) on an early-morning mission to set off avalanches with a very large and cool artillery gun. And T.R., the sky-diving parachuter, welder and ski-patrolman, who, upon my spontaneous request at a boisterous summer party, cut a sunroof in my late-model-beater station wagon with his welding equipment, even as the synthetic headliner caught fire and smoke billowed out of the side windows.
Despite being a non-drinker, Ricardo T. (one of the founding members of the Grunge Brothers Band) takes out a portion of the fence while backing up his pickup to unload equipment. Cowboy reassures him that he has more carpenters than he knows what to do with. Ricardo and his brother, D., who lives and works in Aspen, and two other locals, serve as the perennial Mountain Round-Up house band.
The Pig is done! Cowboy begins the lengthy task of carving the meat. In the hotel kitchen and dining room, a small army of helpers lays out the long tables with an astonishing buffet of pot-luck dishes and deserts. A steady stream of load-bearing runners brings platters of roast pig to the noisy dining room. The dinner bell sounds. Lines form. Soon, the tables in the dining room are full. The mischief-and-merry-makers overflow out on to the deck and the line of stuffed couches and chairs. A spring evening in the Sierra. There will be no cues, ceremonial speeches or blessings.
The Grunge Brothers, stationed on the elevated front porch of the Pioneer Hotel, begin their first set. Their repertoire is solid ’60s and ’70s, cut with some of their own tunes. Below them, the level green lawn fills with couples, but it is Sexy Sadie and Dirty Dan who take to the dance arena first and promptly steal the show with their “Pulp Fiction”/John Travolta moves. As the evening light fades and the safety of darkness arrives, the reluctant, the hesitant and the shy slowly drift onto the dance grass. By the second set, the pairs turn into trios, which reshape into circles of dancers that reform into larger circles until the crowd reaches a kind of critical rhythmic cross-generational mass. Ex-ski patrolmen lurk along the fringes. They will tell you they are there to keep us safe. Cowards, one and all!
Despite being musically and rhythmically handicapped, I cannot resist the gravitational pull of the Mountain Dance. I slip into the fray and find myself momentarily paired with 31-year-old Cleo, daughter of Tommy and Suki. Cleo insists on leading. Tommy, jack-of-all trades and mountain mechanic, once tore apart and rebuilt the engine of one of my numerous station wagons (with minor, hold-this-tool help from me) when he learned that I was preparing to drive to Sun Valley in a vehicle that had white smoke spewing out the tailpipe.
My enthusiasm has arrested my common sense. Cleo throws me about like the downhill racer crashing and bouncing and somersaulting down the course and through the safety fences before being launched into space in the iconic sequence of ABC’s “Wide World of Sports.” I am at her mercy, if she has any. How long I can keep up before I my shoulder is separated or I collapse is anyone’s guess. An ancient Sinatra tune plays in my head. We’re dancing in the dark and it soon ends/We’re waltzing to the wonder of why we’re here/Time hurries by we’re here and we’re gone. The dance of the mountain generations is not for the faint of heart or the wobbly of leg. I am running out of breath. When Cleo turns her head, I seize the moment and run for cover … to the sanctuary of The Bar, the den of antiquity. I should know better.
Noisy, crowded, bourbon-warm light, a panoramic and daunting mirror on the back bar revealing all, the close camaraderie of the damned and the delighted. Anchored firmly to the century-old bar, where a dozen empty shot glasses are lined-up and waiting for refills, are the usual suspects. I suffer a flashback in sepia. The adult voice in my head urges me to retrace my steps and sprint for the safety of my tent and sleeping bag. A voice rises above the din, “Get over here!” It is Cowboy. Maybe just one.
It is a straight-no-chaser crowd, equal amounts men and women. This group seems determined to not go quietly into the Mountain Night. There will be no pondering over Time on these premises. No nostalgic reminiscing or cheap hindsight wisdom; no blinking, no averted gazes, no excuses or sentimental poems, no palaver about going to heaven or burning in hell. This crowd is charging down the fall line together in search of an irreverent act, an old-fashioned, up-lifted vertical digit waving out the car window at the High-Speed Passing of Time and its inevitable corollary, our own mortality. We will settle for a Toast, or two, and so we raise our glasses in unholy communion. To save ourselves from ourselves, we perform simultaneous toasts — to our departed, gone-before-us, mountain brothers and sisters, our “there-but-for-the-grace-of-God-go-I” high-altitude companions; to our misspent youth, powder snow, cabin-fever and driving without chains; to the Red Dog Saloon and the Altitude 38, Vaurnets, the Slide on the Stanislaus River and black ice; to Jean-Claude Killy and Spider Sabitch, “the agony of victory and the thrill of defeat,” the butterscotch aroma of ponderosa pine and the pungent odor of Jack Rabbit Black ski-wax; to the volunteer fire departments, heart-breaking mountain beauty, summer unemployment checks, snowcat drivers, forgiving local cops and to our kids’ generation and those here already and those to come; to the wonder and terror of it all.
If there is a Morning Here After, no one is particularly worried.
Long-time contributor Vince Welch is presently at work in his backyard shed sanding down the rough edges and putting the finishing touches on a biography, “The Last Voyageur — Amos Burg and The Rivers of the West.”
Author’s note: Some names have been changed to protect the guilty, the innocent and those in between, but especially the author from crank emails, libel suits and felonious criminal retaliation. The whimsical aliases are based, in part, on the colorful personalities or past behavior of those who skied past the gates of my imagination without permission.
I am stopped waiting for the highway crew to clean up a terrible accident on Highway 37A in northern British Columbia. The accident involved a car trying to avoid a mama bear and cub and consequently hitting another car in the process. As I pass the accident scene, there is a highway worker that looks more like a wild animal than a human being. He waves our car ahead, and our destination of Hyder, Alaska, is less than an hour away.
Hyder is not your quintessential tourist destination. There are 90 or so permanent residents, one hotel, two campgrounds, one restaurant, a general store and a gun store. By road, Hyder is a dead end, only accessed by BC Highways. There is a small dock that accesses the rest of rural Alaska.
We set up camp at the only campground that, due to the large grizzly bear population, allows tenting. Conveniently, the campground is right behind the only open restaurant and bar. The mountains engulf Hyder and our campground. We look straight up at 5,000-foot mountains. The general store owner drives by and notices our starry-eyed glares toward the top of the mountains. He tells us, some winters, there is over a hundred feet of snowfall.
We are now at the Sealaska Inn eating and drinking. After a while, we try the local shot famously known as the Hyderizer. This is not only a shot, but a challenge. The rules are: you can’t smell it or taste it; there are no chasers other than water; if you don’t finish it or if you spit it/throw it up, you have to buy a round for the whole bar and clean up the mess you made. Luckily, Frisco, Colorado’s Moose Jaw gave me training for these types of situations. My shot — which ended up being a double dose of Everclear — is successful, with a not-surprising firey tingle in the esophagus.
Shortly after, a local in the bar offers me some smoked salmon from a small Tupperware container. I tell him it’s the best fish I have ever had out of plastic Tupperware and maybe ever. As we continue to speak, the wild animal from the highway crew walks in and sits next to me. It turns out he is a very nice man and the sit-in mayor for the town of Stewart BC, right across the border from Hyder. Then again, I have always preferred people more like Wolverine from the “X-Men” than your typical Boulder Hipster.
As the night turns into the early morning, the bartender and I speak about Hyder. She informs me that, during the summer months, bikers like to come into town and follow no laws or ethical principals. This is the reason there is a double-barrel shotgun behind the bar. With no police in town, there are only citizens and guns to keep the peace. Before I head for my tent out back, the bartender makes sure I have bear spray. I respond with an affirmative shrug. “Good,” she says, “because, not too long ago, a friend of mine passed out behind the building and was eaten alive by a grizzly.”
“Yes,” she says with sadness in her voice indicating sincerity.
The next few days, we hike and explore the Coastal Mountains. Salmon Glacier might be the most beautiful sight I have ever seen. We skinny dip in glacial lakes, marvel at the enormous size of the grizzly bears and bald eagles and soak in the rawness that only wild Alaska can still offer.
Looking back at my visit to Hyder, the highway worker/mayor is a metaphor for the Last Frontier. Rural Alaska has a stereotypical gruff exterior, but once unraveled, the magic of such a magnificent place is revealed.
Salmon Glacier. Photo by Jake Frank
Pete Richmond lives in Frisco, Colo. This is his first story for the Gazette.
GPS route-finding has been enthusiastically accepted by drivers who don’t want the drudgery of piloting their vehicles or the tedium of orientation and navigation. Begging the question of why they don’t just take mass transit, most of us have heard really great stories that involve use of a GPS route finder, flat unbelievable cluelessness and acutely stressful motoring experiences. One blogger suggests that, since GPS is most prevalent in high-end cars, a good Google search is “Mercedes” plus “River” plus “Crash.”
I chose to try “GPS” plus “Idiots” and immediately struck gold — there are friggin’ doctoral papers and commissioned studies on the subject, and I soon learned that the Brits had long coined the more genteel term “satnav mishaps.” It turns out that the Euros, with their ancient, narrow streets and lanes, have been longest-vexed by satellite-misled drivers. Lorries are crashing into fences, sideswiping ancient stone walls, mowing down trees and sinking into muddy farm roads. Signs at the edge of besieged feudal villages plead “No Satnav.” English railroads cite a surge in damage by GPS-led trucks striking low or narrow bridges, and insurance companies in the UK say hundreds of thousands of crashes have been caused by “over reliance” on GPS.
A 2006 study suggested that watching a route guidance display is more “disruptive” than trying to read a paper map at the wheel. Other studies have found that drivers straining to hear and understand robo-spoken audio commands are equally distracted. As a result, many of the planet’s 800 million vehicles are driven into buildings, into rivers, along train tracks, into oncoming cars, forging against one-way traffic and making illegal turns. That’s before they get lost:
• July 2008: A Syrian lorry driver leaving Turkey went 1,600 miles in the wrong direction, arriving at the Gibraltar Point Natural Nature Reserve in England instead of his intended destination, the Rock of Gibraltar.
• A German motorist, when ordered to “turn right now” by his audio satnav, executed an immediate right turn into a building site, up a flight of stairs and into a portaloo.
• January 2008: “The Shropshire village of Donnington has suffered repeated invasions by 70-ton tanks and other armoured vehicles.” (A nearby military barracks has the same name.)
• June 2008 headline: “U.S. Tourist Stoned by Palestinian Mob After GPS Gives Incorrect Directions.”
• May 2006 headline: “Couple Arrested For Asking For Directions” (You can’t win!)
It’s a complete reversal of the old saw, “you can’t get there from here.” Now we each follow our own personal Star of Bethlehem and, yes, theoretically there is an ideal route from anywhere to anywhere. Part of the problem is summed up by another old saw, “garbage in, garbage out.” The GPS routes are devised by companies like Tele Atlas and Navteq using intelligence that can quickly become outdated: businesses move, new roads are built, old ones closed for repairs, and frequently, with no dialogue between global user and local inhabitant, the data is deficient or just plain wrong.
In my own neck of the woods, the southeast Utah desert, our satnav mishaps tend to have their own unique character and usually involve caravans of rental SUVs full of vacationing tenderfoot flatlanders being swallowed up somewhere in the Grand Staircase.
ABC 4 News: A group of 20, including 10 children, left Bryce Canyon for Kanab at 8 p.m. on a Saturday night in four shiny Renegades. They decided there is a short cut: “We have, like four GPS systems, and they all told us the same thing, that we were closer going ahead than backtracking.” After three hours and 75 miles on a remote and rugged dirt road, they cliffed out. Kane County Sheriffs said the group called 911, lucky to get a cell signal, “panicking to the point that they were really lost and no one was going to find them.”
Then there was the Pennsylvania couple stranded on Smoky Mountain Road for four days, and the family from Belgium on Four Mile Bench that was reduced to licking condensation off their mini-van’s windshield.
It takes me a while to wrap my head around the notion that visitors to the Utah outback would assume that each little dirt two-track is on some kind of systematic grid and eventually goes where they want to go, and their rented Cherokee will, like in the commercials, just sail over the peaks and canyons. But this obviously isn’t just a wilderness thing, case in point being the time I tried to drive the coastline of Los Angeles — an oriented person just knows that sometimes you really can’t get there from here. In surveys drivers say GPS makes them feel “more in control,” but they really want to just check out, and when they get the directions, most admit they are still confused. There has been much speculation as to why so many people seem geo-impaired.
Bats, cows, mole rats and all sorts of critters can sense the earth’s magnetic field, but apparently not Homo He Wrecked Us. Some psychologists believe that in fact many humans are extra-spatially twisted with an affliction they have named “Transient Directional Disorientation,” not a phrase easy to yell out at an intersection.
Senior correspondent Jon Kovash lives in Moab, where he plays saxophone in a band called Phil Dirt.
With Mud Season soon upon us, it’s customary for mountain folk, many who live and breathe tourism in order to dwell in the thin air, to take a temporary leave. Some of us will attempt to be learned travelers in the spirit of evolution. But given that only 37 percent of Americans have passports (half of which are used traveling to Canada and Mexico), a few of us will opt to be garden-variety tourons — not that there’s anything wrong with that. Embracing the endangered rubber tomahawk store, the fanny pack worn frontside and sturdy white walking shoes, here’s to all we do.
1. Pancho Villa, Gilligan’s Island and fizzled neurons I, uh, know some people who many years ago planned to see a professional wrestling gig in Denver. Let’s just say that the people who knew where the event was had ingested a substance with hallucinogenic properties, and let’s just say they got crazy lost and for reasons that have yet to reveal themselves, ended up at Denver’s venerable Casa Bonita. The copious servings of assembly-line Mexican food can have a satisfying and sedative effect, depending on your needs, but depending on what else is going on in your head, the headhunters and the guys who high-dive into the 35,000-gallon lagoon every 15 minutes can make things neurologically dicey. “Man!” someone reportedly said, “Are they going to make us do that?” But seriously, if you’re on a Colorado stay-cation this year, put the “World’s Most Exciting Restaurant” in your game plan. There’s a reason Cartman was willing to kill Butters to get a chance to dine here.
2. Forget the Grand Canyon For the price of a couple tanks of gas (let’s hope you’re not driving the Santa Fe for this) and the $5 admission fee, most of us are close enough to enjoy the world’s biggest hole at Utah’s Bingham Canyon Mine. For a century, the Kennecott Copper Corp. has been digging 250,000 tons of rock out of the mine every day. “A mountain once stood where this huge bowl is now,” a sign boasts. Two-and-a-half miles wide and a half-mile deep, the hole could seat 9 million people if it were a stadium.
3. Whorehouse for the ages The Oasis Bordello Museum in Wallace, Idaho, made the quantum leap from whorehouse to history one night in 1988, when rumors of an FBI raid sent the ladies running out the door for good, leaving everything, down to the packages of red light bulbs, cigarette butts and kitchen timers for each room — in their original places. On your tour, you’ll get a first-hand glimpse of the lingerie that had to stay behind, the price list on the wall (“Eight minutes, fifteen dollars, straight, no frills”) and the frequent-flier rug collection (repeat customers were asked to BYO to facilitate cleanup). In the Oasis’s heyday, the staff made upwards of $2,000 a week, although the museum owner says she doesn’t show the price list to children.
4. Wanderlust? Not so much With 1,939,159 passport holders in 2010, California holds the U.S. record for people who think they might want to cross the border for whatever reasons. Meanwhile, folks in Wyoming are staying put. Perhaps the winds in Rawlins and Casper blow people around enough to kill any wanderlust, but only 19,738 Wyomingites have passports (yeah, yeah, we do know that California has more people). Compared to Americans at 37 percent overall, 75 percent of the residents of the U.K have passports, as do 60 percent of Canadians.
5. Don’t be them Actual tourist questions at Grand Canyon National Park: “Was this man-made?” “Do you light it up at night?” “Is the mule train air-conditioned?” “Where are the faces of the presidents?”
6. Class it up a little I know most of us are tent and pension folk, but in the event that we might do something classy for a change, here’s the deal: The Prevost 2012 Santa Fe motor coach is what you’ll want to be in as you summon the highway ghosts of Hunter Thompson and Jack Kerouac. With an MSRP of $1,920,896, it will likely boast (they’re still working out the details, and most coaches have custom additions) a residential refrigerator, mini wine cellar, king bed with a power recliner, master closet with suede-lined shoe racks, power sliding kitchen island, touch-screen monitors all over the place, integrated doorbell with audio and visual components, heated floors and his-and-hers bathroom sinks. There’s more: You can get it for $1,439,000 if you work the right deals, bringing your monthly payment down to $12,150.78. If you want to bring a car, consider the Vantare Platinum coach, which has its own slide-out garage that holds a small car. The 235-gallon gas tank costs a mere $1,000 to fill, and for all this, a mere $2.5 million.
7. Lonely out there Fodder for Stephen King’s “Desperation,” Highway 50 through Nevada is better known as the Loneliest Road in America. In the 409 miles from Fallon, Nev., to Delta, Utah (roughly the distance from Paris to Zurich), you’ll encounter just three small towns: Austin, Eureka and Ely. Years ago, an American Automobile Association spokesperson famously warned the traveling public “not to drive there unless they’re confident of their survival skills.” Naturally, all this attention about Highway 50 being lonely has given it plenty of company over the years, so while you might drive until you hallucinate, you won’t be the only one on the road.
8. Avalanches, roadkill and motorhomes We have the recession to thank for the historic decline in highway fatalities (people are commuting to work less and otherwise traveling by car less). True enough, but that doesn’t take the natural hazards out of some of our most dangerous stretches of highway. Topping BuyingAdvice.com’s list of most dangerous roads is U.S. Highway 550 from Ouray to Silverton, Colo. The two-laner has wooze-inducing S-curves through three passes in the San Juans, contains major avalanche zones, is a popular place for RVs to travel at perilously languid speeds, and is a great place for some really big roadkill. Highway 550 outpaces the 101 and 405 freeways in Los Angeles, as well as Atlanta’s I-285 at I-85 interchange, which occupy the second and third places as most dangerous pieces of U.S. road.
Welcome to MG’s new poetry page, Way of the Mountain.
That was the name given to the earth-centered, outdoor-templed spiritual path of Dolores LaChapelle, high peak guru who lived, wrote and wandered the San Juan Mountains near Silverton until her recent passing.
Her books on deep ecology have influenced mountain folk all over the world, particularly “Sacred Land Sacred Sex Rapture of the Deep.” Her alpine first ascents and deep powder skiing remain legendary. And her love of the High Country was an affair that lasted all her life.
Plus, she championed bardic poetry — lyric stories that speak for place — as one of her seven pathways to get our koyaanisqatsi (out-of-whack) society back in balance with the natural world.
Come hike MG’s Way of the Mountain with a selection of bardic poets from around the Rocky Mountain West.
— Art Goodtimes, Poetry Editor
Just finished first hike.
Feet sore but the mountains.
The mountains. — Jim Rosenthal Porter tester extraordinaire Port Townsend, WA
Whirling barefoot in the icy grass
with open palms reaching up through the dark
what’s a woman to say except
whole oceans are moved by the moon,
why should I be any different? — Rosemerry Wahtola Trommer San Miguel County Poet Laureate Placerville, CO
In Spring, We Break Up
In spring, the ice breaks and water runs free.
Everything starts to move.
In spring, we break up
and head to Utah
green with mountain state plates.
Soak up the sun
bare skin on bare sandstone.
Should have known what felt right
through bitter winter nights
is not what we need in this extended light.
We move. Pack our trucks.
Drive with no thought of ice.
Our quick frozen-face kisses, hunched on the lift.
The too-many nights spent in the bar.
The heat we made
in our too-small bed.
All of it
melts away. — Danielle Desruisseaux Host of KSJD’s “All Lit Up” Mancos, CO
Le Sacre du Printemps
Hops spark us nobly this spring
Old hopes not banked nor yet aflame
Sufficiently floral to herald summer’s wild leap
Bitter enough to honor winter’s bite — Bill Nevins “Committing Poetry in a Time of War” (film, 2007) Albuquerque, NM
Walking Like Water
at the high end of the arroyo
you abandon your feet to gravity
you avoid straight lines
you are drawn to the outside of the curve
you inspect all cutbank holes
you waltz below boulders humming softly
your feet etch lines in the sand but
you never look back
in town others will talk as
you follow the grade into traffic
your curves confuse other pedestrians
you look for burrows where there are none
you walk in circles below trash cans
and even when you drag your feet
the ground will not receive
your passing — Peter Anderson MG Editor Emeritus Crestone, CO