Letters – #176

Envelope: By Autumn Stinar.
We’re in the market for decorative envelopes to help beautify our Letters pages.
If you’ve got an artistic envelope bent, pull out your weapons-of-choice, decorate an envelope with our snail mail address on it, mail the resultant envelope to us, and, if we print it, we’ll give you a year’s subscription to the Mountain Gazette

Ponying up!

Mr. Fayhee, After making a decision this morning to either continue to be a freeloader and make a 20-mile round trip each month to pick up a free copy of your rag, or renew a subscription to a Denver newspaper that only comes once a week and gives less and less, I decided to subscribe to your magazine.

I’ve read it now for a couple of years after discovering it in a box at a Hotchkiss, CO-area store. I will sit down and devour it like an ice-cold brew on a hot summer day. I perhaps do not fit your demographic, but the magazine does speak to me.

Thanks for an entertaining diversion to the normal humdrum pace of life.

My best,
Jim Sheetz,
Eckert, CO

No extended middle finger
Hi, John: I have to tell you that your “Digits” Smoke Signals in November 2010, was so intercoursing hilarious I was laughing out loud so hard with tears running down my face that I was expecting the neighbors to complain.

I’m sure I’m only one of thousands that look forward to your monthly column.

I won’t be sending in anything for the digits articles, but I do have two digit instances, same person, that I will never forget.

Biking Government Trail with a friend a few years back, the friend fell in some non-major gnarly area and just happened to hit a rock at the correct angle to slice his finger off. It was still hanging by a thread of skin with the bone exposed on its own. A sight that sent the most hardened emergency room staff to the toilet to puke. They managed to sew it back on and save it. I was the mortified one, when we were dashing back to the car to get him to the hospital, there are some difficult switchbacks by the Aspen end of the trail and he, with finger hanging off by the thread, had to wait for me at the car for like five minutes to get down those switchbacks.

That same friend must be digitally accident prone as there was a group of us skiing down Face of Bell in some enormous bottomless powder day when he fell on some bottomed out log on Hanging Tree (I think you know all these places), dislocated his finger and toughed out the rest of the day skiing. Group dynamics and he wasn’t going to give in.  After skiing, he went to the doctor, who talked him into an operation, rehab and physical therapy for it.  You can imagine the banter from the group at him about that.

Since then, when the subject is brought up, the gondola is a hard room for him to work.

Thanks again for the laughs.

Best regards,
Sheilah Bryan,
Aspen, CO

Compare and contrast
John: Earlier this fall, I walked down the drive along the ditch to fetch my mail. In my mailbox was Mountain Gazette along with Outside Magazine. (Outside seems to randomly show up every few months and perhaps the publisher is trying to build subscriptions with random deliveries.)

Both magazines happened to write about personal lists. At the same time that Outside had compiled a lifetime “Bucket” list for its readers, MG had some very personal letters from its readers listing what they had done in their own lives that they considered noteworthy. It was some sort of serendipity to be able to compare an artificial list prepared by editors with input from sponsors, advertisers and media consultants, with actual lists of actual activities prepared by the actual people who related their own personal experiences.

Some of the Outside suggestions were pedestrian: “Learn another constellation besides the Big Dipper,” which cannot ever compare with an actual personal experience that I read in Mountain Gazette. “Connected with lost ancestors in Italy to find the best hugs on the planet … and awesome homemade pasta, of course.” Reading the personal lists in MG was moving, especially when I took the time to think beyond the written words to the emotion and passion contained in some of the experiences. Which gets to my final point — no one else can write your list.

Best Regards,
Tom Noll,
SW Idaho

Cartographic eye-opener
John: Call me crazy, but Tara Flanagan’s article, “Too Close Encounters” in MG #173, was an eye-opener. First, it reminded me of my interest in the supernatural. I’ve always been a BELIEVER, with a small b, in cryptozoological and ET stuff. While I don’t receive Contemporary Occult Devotee magazine, I am casually fascinated by the spectrum, and think of myself as an armchair Sasquatch expert. Maybe it’s because s/he’s part of the mystique of a land I’ve admired since childhood or perhaps, as Tara said, people need something to believe in, and I dropped religion a long time ago. I mean, at least the Patterson film exists for some feasible evidence (a man in an ape suit can’t move like that!). Where’s Jesus making fishes multiply on film?! In any event, regardless of the cause, my interest in Sasquatch even over-rode the social phobia I struggled with till my 20s.

Second year of undergrad, I had a public speaking class, which you can only imagine did to the bowels of a social phobe. But for one stretch, I rode the fine line of anxiety/excitement when I learned of the requirement for a persuasive speech. I would persuade my classmates Bigfoot existed! While my talk generated many skeptical inquiries by classroom Matlocks, most of which I thought I fielded well, nobody was satisfied with my answers about why a Bigfoot was never caught or found in cadaverous form. Typical answers from Bigfoot scholars like, “well, look at how vast the terrain is of the areas they are seen!” and “perhaps it is because they are emotionally intelligent and bury their dead” all of a sudden were lame answers to me too as I watched none of it convince my classmates one iota.

With the amount of sightings versus amount of evidence, save footprints (only some seeming believable), my classmate’s persistent skepticism on that one question left me at a loss for any other answer than to say I had none, thereby admitting defeat, which is kinda what happened anyhow. It meant that it was all just a matter of faith (haha) that I believed, like a right-wing Bible thumper saying “because it’s in the Bible” and no other argument in my support.

Enter Tara’s article and my wish for time travel. While it likely would have opened a completely different can of worms that my prefrontal cortex was just not prepared to manage anxiety-wise back then, I am investing at least two grains of salt into the theory that Sasquatches are of other dimensions. This comes as a result of uncanny timing wherein I was recently made to invest three grains of salt into the idea that other dimensions exist. This happened when I visited a psychic, and, being a rather pragmatic sort, was very careful to not release any personal information and thus assay her capabilities. During said session, psychic consistently informed me of things, to a “T”, without knowing anything more than my name and that I wanted to know about my career and love life. She described my ex-girlfriend in finest detail and even that I saw her the previous night to clear fouled air. Then, in a grand finale, upon the terminal card reading, the last card, placed in the center of the 15 laid out, was of a girl kissing a boy’s forehead. With chills, I explained that was a dream I had a couple weeks earlier in which I forgave my ex-lover. She said “It wasn’t a dream, it was just another dimension.” And I felt it!

With that, I wonder whether Bigfoot is elusive for reasons of dimension. For all the time I’ve spent in Washington, Oregon and Wyoming, I guess I should have spent less time seeking tracks, more on finding portals. Tell me if you have any leads, and if I find the portal, can I have the honors of penning the first MG article from another dimension?

Tony Smith,
Massachusetts

MG readership demographics
Fayhee, You’ve went and done it now. You’ve finally got a publisher for your rag that seems to better understand the freaks, geeks and weirdos who are actually reading the MG. Issue 173 is like free climbing 5.12, skiing the Sand Chutes off the Burn, having post-drinking, wee-hour sex in a rich neighbor’s hot tub (while they’re at home), driving 140 past a diner full of cops, finding a $100 dollar bill in a pair of new-to-you thrift store pants — in other words, epic!

I say this after picking up a copy and just thumbing thru it — I’ve not even read the damn thing, but I can already tell this issue is going to be good.

The sexy, thick, black and white cover makes me think of art ’zines. The wonderfully content-rich interior beckons me to waste an afternoon reading the oh-so-many words that thankfully now have graphics and photos to pull the reader along with the story. Wow, I never thought it would’ve happened. I’ll admit I’ve been worried about the MG — there have been times in the past when an issue looked more like a buddy who had taken to late-night powder skiing thru bar bathrooms: all skinny and covered in blemishes.

Looking at this issue, I see everything you told us in your column from #172 is true. It’s nice to know Ullr has folks looking out for his human scribes documenting the weird and wonderful in his realm.
Your timing for this seems absolutely perfect, at least according to one of my favorite dead writers: “When the going gets weird, the weird turn pro.” — HST

I suppose I should end this with a high, smoky toast to all those now going pro. You know who you are.

Peace,
Dave Shinn

Getting Nowhere Fast
John: Mark Ollinger is on to a truth (“Zen and the Art of Cross-Country Ski Waxing,” MG #174): cross-country ski waxing echoes the dilemmas that underlie Robert Pirsig’s philosophical bike ballad of the ‘70s. It’s all yin or yang. Grip or glide in cross-country. Delve into the technology or just enjoy the sport. Carry that yin-yang pair to its extreme and on one hand you have tribology, the scientific study of the interface between surfaces moving relative to each other, as skis on snow. You can do that full-time without ever going out on snow. On the other hand, the sport can be enjoyed with a minimum of just about everything, as put forth in “The Cross-Country Ski, Cook, Look, and Pleasure Book: And Welcome to the Alice in Snowpeople Land,” a 1974 paperback by Hal Painter still stocked by Amazon.com. You can follow any of Painter’s recipes and enjoy sometimes getting nowhere on cross-country skis.

Robert Stahl

A Matter of Pride
Dear Editor: In MG #173, I find two new names on your masthead as senior correspondents — Richard Barnum-Reece’s and mine. On the now-dead behalf of Richard, I’d like you to know that he would be really pleased by this designation, as he and I always pictured your magazine as the ultimate in alpine truth-telling. This is the only publication we ever found that consistently understood what we thought it was all about.
He and I were introduced to MG when we first saw Dick Dorworth’s ‘70s article “Night Driving.” We held (still do) his writing and accomplishments in the same esteem as that of Edward Abbey, Yvon Choinard and other big mountaineering names of the time. Thirty-five years later, that same sense is still true for me. That you would name a dead guy “(RIP)” as a senior correspondent (maybe a first in magazine journalism) validates MG’s courage, sense of humor and sense of what’s right.

For my own part, this mention is going on my resume with a great deal of pride. To be listed on your masthead with Dorworth and the others there is a major milestone. Thanks.

Dave Baldridge,
Albuquerque, NM


Mountain Gazette welcomes letters. Please email your incendiary verbiage to: mjfayhee@mountaingazette.com.

A Skier’s Journey

Film: “A Skier’s Journey,” by Jordan Manley
I thought I’d get in one last ski movie before Mud Season starts, and Jordan Manley’s is a good one (or three) to end on. This isn’t the standard hyper-expensive, multi-sponsor, mega-star affairs that are released every fall — it’s a series of three short films on Vimeo, sponsored by Arcteryx and Gore. Photographer Jordan Manley sought to tell stories about traveling and skiing some of the world’s most interesting places all in one trip, including the Gulmarg Gondola, the highest operating cable car in the world, in Kashmir; lift-served ski mountaineering via the Téléphérique La Grave in La Grave, France; and Banff and the Freshfield Icefield in the Canadian Rockies. The cinematography here is great; better than you might expect from someone whose day job is still photography. Manley uses his eye for still shots to compose some great footage, which definitely doesn’t spend the entire time capturing dudes ripping the gnar — although there is some of that. This series is art, not ski porn — no let’s-get-a-shot-of-our-helicopter-from-our-other-helicopter stuff; it emphasizes travel, culture, nature and danger as well as high-level skiing. Jordan Manley deserves big-money cameras and big-money sponsorship for this kind of work, and the world would be a better place if saw more films from him in the future.
http://vimeo.com/13085385

Cumulus Dentatus, or Why I Believe in Winter Storm Warnings

1. Unmooring
On some days, you sit and look at the computer. Your fingers touch the keys and go nowhere. Your mind numbs as symbols collide on the screen. On some days, this all makes perfect sense. You have things to do. You are bound, chained. But on other days, there’s that cold wet black nose that nudges your elbow as you drone on. That nose is never wrong. It calls you from complacency: “I need to go out, to roam! This nose must hunt, must cover new territory! This is what I must do.”

The nose is attached to Riley, 75 pounds of four-legged tawny brawn. For this beautiful canine eunuch, ranging, roaming and alarmingly indiscriminate eating are the only patterns worth repeating. Patterns like the awkward totter of bipedal motion, the curse of obsessive cognition and the maze of symbols spewed across a computer screen are of no use to him.

At 2 p.m., you will be knee-deep still in work, but the nose will prevail. It will cause an awakening, a resurgence of the hunter-gatherer within. Prompted by sidekick, modern man goes mini-paleolithic, shuts down computer and leaves warm house, bent on Winter Solstice hike.

2. Ascending
At 8,300 feet above sea level, Grandeur Peak’s height is much more attainable than that of its loftier sister mountains that jut skyward east of Salt Lake City. Most days, it’s a pretty good choice for roaming with Riley. During the winter, snowshoers’ tracks make the path easily negotiable with simple hiking boots. Dog paws work great too. And the view is outstanding at sunset, particularly when the haze of particulate matter that favors the valley broadens the typical palette of dull reds and oranges. Seemed like the right destination, given the few hours we had until darkness.

Bound for Grandeur, Riley and I loaded up and went to pick up his cousin Sandy. Sandy is my brother’s dog, a labweiler (Labrador Retriever meets Rottweiler; the two fall in love; they make labweilers). Sandy and Riley’s relationship unfolds along distinctly canine lines. Riley’s the upstart male, heckling, herding and worrying the larger, stronger Sandy until she corrects him decisively. This cycle repeats.

On the car radio, the announcer prated on about snow: snow tonight, snow impending, three inches of snow, snow in the valley, snow warning, snow advisory, winter storm watch. The forecast had featured snow for days, and never once had reality reflected the forecast. So I paid no mind to this sober warning, though the wind had been gusting all day. I had heard the swamp cooler cover twisting in the wind, I had felt the raw push of the wind shake the wood frame of the house, yet I had remained skeptical.

The line between skeptical and ill-advised is sometimes a thin one. But we nevertheless entered the V-shaped confines of Mill Creek Canyon, home of the Grandeur Peak trailhead. We piled out. Riley and Sandy, unconcerned about the pitch of the terrain, bounded ahead, working as a pair, negotiating a maze of scrub oak, nipping, charging full tilt. I stomped up the trail, watching carefully to see where they would relieve themselves so I could make things right with a plastic doggie dookie bag.

Wind was strangely absent from the canyon. The air was stirring only lazily, its torpor a sharp contrast to the fury of wind scouring the valley. As we rose upward, leaving the initial canyon of Church Fork for a series of switchbacks up a sort of hanging valley, I looked southward at Olympus, at Raymond and at Twin Peaks, masses of stone and earth. Cirrocumulus clouds skittered across their faces, sucked inevitably northward into the looming low pressure.

No matter. I was sure the storm was taking its sweet time, and I still didn’t believe it would produce snow. We pressed upward, zigzagging our way up the mountain’s south flank. The dogs had not yet begun to scrub off the excess energy that fueled their frenetic play, now pouncing, now dodging, now bolting down the trail to a place I had been fifteen minutes before in a tenth of the time, only to return to me, tongues lolling.

Just under an hour, and I had huffed my way to a ridge that overlooks Parley’s Canyon, named for Parley Pratt, an Mormon pioneer with a capitalist knack for creating toll roads through eponymous landforms. The peak was maybe twenty minutes away, and the view into Parley’s Canyon was pretty clear. So we might as well continue on. The dogs charged ahead, live wires still, and I began booting up the steepening — and deepening — snow.

I wallowed (and the dogs frolicked) southwest up the ridge that meanders to the summit. As the ridge curves southward, hikers are generally treated with a commanding view of the Salt Lake Valley. Not so today. The wind, in its implacable persistence, had eventually succeeded in ushering into the valley a cloud whose proportions defied my sense of measurement. In place of the valley
was an immense blackness, a nightmare cloud.

The cloud looked to be contained in the valley, hugging its floor and enveloping its inhabitants, content with disrupting the impending rush hour traffic rather than ascending to the aerie from which I watched its menacing — but apparently slow — progress.  So of course we continued upward. Ten minutes later, within 200 meters of the summit, I was corrected. A gust of wind, the velocity of which was unmistakably north of 60 miles per hour, sent me reeling. And I realized that this wind, being sucked into the vortex of cloud into the valley, would exercise a return pull on the low pressure, which translated to this place being enveloped in cloud. And soon. The wind had finally pierced through to my deeply buried common sense, playing Sandy to my Riley: You’re pushing my limits. Knock it off already.

So we turned around. Suddenly, the top of the mountain seemed a profoundly stupid place to be spending any length of time. Couch, hot tub, Afghanistan, all began to seem like better alternatives. I tromped downward, soon reaching the spot where I had moments before seen the black cloud. It had been replaced by a rush of oncoming white, a wall of wind and snow.

I couldn’t ignore a certain fascination with the approaching blanket of wind-whipped snow. I knew by now I was not going to outrun this storm, so I let it overtake me. Standing on the ridge, I whooped with a visceral excitement as I was engulfed by the storm. I had never witnessed a frontal passage this defined. The swirling mass of white poured over the ridge, over me and the wholly unconcerned dogs, and spilled into the canyon below. Visibility: zero.

3. Of moths and flames
Traveling in the Sierra Nevada on a crust of bread and a prayer, writer and adventurer John Muir once climbed a tree to get closer to one of the sublimely powerful electrical storms that often besieged his mountain retreat. When the first lightning strike came, I realized just how peculiarly unconcerned with life and limb Muir was — and therefore how unlike me he was. While I had reveled in the mildly Muirish moment of having the storm pass before my eyes and immediately cloud my perspective, I unequivocally drew the line at lightning. What was lightning doing in a snowstorm, anyway?

The strike had happened, I thought, somewhere toward the Parley’s Canyon side of the ridge. Too close.  I ran. The dogs were in front of me, but were stalling, tentatively looking back, wondering why I had become a madman. I shouted at them, “up, up, up,” thinking they might understand this to mean hey-we-need-to-get-the-hell-off-this-mountain-and-fast. But they still lagged, concerned by my sudden lack of sanity. I hurtled down the trail, post-holing at times to mid-thigh, flopping back onto the snow, flounder-like, getting up, running again, falling again.

Again lightning struck. Again too close. I looked like Hawkeye in the television show “M*A*S*H”, ducking low to avoid a chopper’s rotors. Ridiculous — I was still the highest, most conductive thing on this ridge, and lightning would not pass me by on account of this half-assed slouching. I hadn’t noticed it on the climb up, but much of the last mile or so of the trail is exposed, the only trailside flora stubby, leafless Gambel Oak, no buffer whatsoever. Images of Ben Franklin’s ill-advised but ground-breaking experiments with lightning flashed through my mind. But in my frightened mind’s eye, I was the electrified kite, not the flier.

More flashes, the cloud above me glowing orange, hair standing on end quite literally, and running at a faster clip than I have since, well, ever, are my trauma-scattered memories of the rest of the trip down. I stumbled over dogs; I cursed; I struck a prayerful bargain with god/buddha/universe/to whom it may concern; I twisted my knee and didn’t care; and finally I made it to lower ground. The succor might have been psychological only, as I knew a grove of tall trees wasn’t a great place to be, but at least the lightning would have options — other life forms to snuff out on its way to the ground.

Fifty minutes from turnaround point to parking area. Fifty of the most intensely felt minutes I have experienced on this earth — the drive back into the valley coming in a close second, the road having been covered by four inches of snow and made virtually un-navigable. Looking back, I know that Franklin and Muir were both madmen, if geniuses. And I know why we fear and yet still seek out lightning, with its alien power and effortless mastery of humans and our frail ingenuity. There is something in nature, in its deadly power, we must come closer to if we are to understand the audacious tenuousness of life. We are drawn to its truth.

4. Home, awake, recharged
You will realize that those near-misses, those jolts of unknowable energy that writer and strike survivor Gretel Ehrlich calls “a match to the heart,” had the power — terawatts of it — to scare you into a heightened sense of the unmitigated beauty of being alive as opposed to dead. You will be thankful for the lightning’s way of recharging your vitality, delivering a surge of power to scare you out of, and back into, your animal skin.

But you will not climb that mountain in a storm again. Ever.

Aaron Phillips is based in Salt Lake City, where he teaches writing at the University of Utah. He flees to — and from — high elevations with his canine guide whenever possible.

Kara Oke Dokie

“Everybody is a star …”  — Sly Stone

Photo by Dawne Belloise

If you’ve ever fronted a real live band with the screaming energy of a stack of Marshalls, a kick-ass drummer and a funkengruven bass, then singing karaoke is flat-out going to fall short of that experience. However, if you haven’t experienced the joy of having your eardrums vibrated out of your head trying to project over amplified instruments, then canned stardom might just move it for you. At the very least, if you actually know you can’t carry a tune and choose to watch safely from your barstool, karaoke participants can thrill, amuse and be that comedic relief you’ve long sought after a hard day on the slopes or the trail. They can also grind on your aesthetic sense like fingernails raking down a chalkboard.

You might have sworn you’d never be seen on stage mimicking Steve Perry, only to find yourself with mic in hand under the spotlight lured by ill-meaning friends and plied with brews crooning about small-town girls and believing. There are the willing wannabe glamour girls who are convinced that they may serendipitously get discovered as the next Lady Gaga by the celebrity tourist as they’re crooning out an off-key version of “Star Struck.”

Whatever the extent you find yourself involved in karaoke rituals, somewhere in a small bar in Japan, where the term and practice is rumored to have originated in the 1970s, the locals are still waiting for the band to show up. The literal translation of “Kara” means “missing,” and “Oke” means “band” or “orchestra.” If the band didn’t show up, they had a pre-recorded tape of their music and the singer would belt out the songs in front of an empty orchestra. At some point, a savvy singer must have figured out they could make far more money at a gig if they didn’t have to pay the band and karaoke took flight and stopped waiting for the band to roll out of bed.

Up here in the thin air, sometimes all it takes to get people up and chirping is the promise of free booze offered by the bars hosting the sing-along. Kyleena Graceffa, co-owner of the Lobar in Crested Butte, has witnessed the transformation in people once they hit the stage. “People say ‘No way! We’re not singing!’ or ‘I can’t get up and sing,’ but as soon as they have a couple of cocktails, I can’t get the mic away from them. Liquor makes people sing,” she notes. “It makes them stars and oh yeah, it’s like America Idol down here some nights.”

Free sake makes it easier for courage to blossom, as well as making it easier on the ears of listeners. During the summer season, when the Crested Butte Music Festival goes into full swing, Kyleena watches the vocal talent go up a few notches. “It’s really entertaining, because they’re really good, so, between the not-so-good, there’s the relief of the experts,” she says. “Those operatic voices aren’t singing Puccini and Mimi isn’t diving into her tailspin swan song … when the opera people are here they want to sing Def Leppard, not opera.”

It doesn’t seem to matter which side of the Divide you’re on, there’s a commonality of music that mountain folk want to warble. Anything by Journey and songs like “Sweet Caroline” and “Pour Some Sugar on Me” — all the classic rock and cheesy love songs. “Depends on the age in the club and the demographics,” says veteran karaoke jockey (KJ) Sandman in Vail. “There’s not much difference between Aspen and Vail unless I get a Filipino group in that loves Elvis. I get a lot of rap in a younger bar, like the Hunter Bar in Aspen, but the Red Onion is probably my most eclectic, longest established show and the oldest bar in Aspen,” Sandman says of the 150-year-old place. “These are resort towns, so my winter crowds are far different than summer … a lot of winter tourism as opposed to summer when more locals show up because they’re not working as hard.”

And there are memorable nights like when the entire touring cast of the musical “Stomp” came in to bang on pizza boxes, chairs, garbage cans and anything that would raise a joyous noise to play rhythm to all the karaoke songs.

Attesting to karaoke’s popularity, Sandman is kept busy with his velvet voice and comic charm, enticing would-be stars to take the stage six nights a week in six different bars from Aspen to Vail, and he claims that, “It is never the same show twice. Like snowflakes, no two are alike. I get visitors and locals, and there’s a difference between each mountain town and venue.” And, he chortles victoriously, “I still get to play for a living — my band is never late, never out of tune, never shows up drunk, their equipment always works and they don’t fight with each other.”

While it’s obvious there’s a loyal following for the art of interpretive musical imitation, way up in the northern ski country of champagne snow, close to the Wyoming border, I asked my Steamboat Springs buddy if the town sported any karaoke bars, to which he snorted, “This is cowboy country. We shoot people who only pretend they can sing. It spooks the horses.”

Just as we suspected …

Take A Seat

“Take A Seat,” by Dominic Gill
In June 2006, Dominic Gill pedaled south from Prudhoe Bay, Alaska, on a tandem bicycle loaded with video equipment and everything he needed to survive, but an empty seat on the back of the bike. He planned to bicycle the longest land route in the world, to the southernmost city in Argentina, picking up riding partners along the way. Gill’s movie documenting the trip, “Take A Seat,” won a special jury award at the Banff Film Festival. His book of the same title is good for those of us who want to spend a few more hours living the journey with him. The book’s strength lies in the adventure itself, with the built-in what-will-happen-next literary tension, rather than Gill’s storytelling — the book is linear, start-to-finish narrative, never straying too far from the daily struggles of an 18,000-mile bike tour with 240 companions, in 15 countries. And it doesn’t have to be. You’ll shake your head with incredulity at Gill’s good luck, getting a spare part just in time, or being offered shelter when a night in a tent might be dangerous, or just dangerously cold. Gill has penned an adventure book about an enormous, singular adventure with a colorful cast of hundreds, and it may leave you thinking about taking on a similar adventure yourself.
www.falconguides.com

Breaking Into the Backcountry

“Breaking Into the Backcountry,” by Steve Edwards
In 2001, Steve Edwards, a 26-year-old Purdue University professor who had “never been much of an outdoorsman,” won a PEN/Northwest writing residency, earning him a seven-month stint as the caretaker of a backcountry homestead on Oregon’s Rogue River. He was a flatlander, a virgin fly-fisherman, 70 miles from the nearest town or friend, and still nursing wounds from his divorce. “Breaking Into the Backcountry” is the story of his time as the caretaker, through the eyes of a writer seeing the West with dew still on it, and his transformation during that period of wild solitude. Edwards paints wonderful scenes of this place, detailing his walks along the Rogue, bears devouring apples on the homestead and the wilderness surrounding him. Even more endearing are the honestly told, personal stories of how he dealt with the solitude — hearing the news of 9/11 on the radio, going days without seeing or talking to another person and experiencing silence in a quantity most of us will never have in our lifetimes. “Breaking Into the Backcountry” is a great vicarious literary escape for the rest of us poor schlubs living with millions of neighbors.
www.bisonbooks.com


Mountain Dog Photo Contest

Editor’s note: After eyeballing more than 400 submissions to Mountain Gazette’s 4th Annual Dog Photo Contest over the course of six weeks, I made a stern vow, one that pretty much mirrors the vow I made this time last year: “NEVER AGAIN!!!” It’s just too difficult to try to pick a relative handful of shots from the mountain of wonderful material our loyal, faithful readers send us. I say this every year: We want to print every single dog shot that comes our way. But, alas, we can’t even scratch the surface. We go back and forth, sluice-boxing the photos into various sub-files, then moving them into other sub-files, until we totally lose control of whatever semblance of organization we were aiming for. Then we start over. Then we say the hell with it and pop a beer. (There are, of course, worse jobs!) Like 2010, we ended up changing the rules midstream. Last year, after asking readers to send in shots in very specific categories, we ended up dunking those categories and making up a whole new set on the fly, categories that fit the photos rather than vice-versa. Thus, we ended up with categories like “tongues” and “sticks.” This year, we opted to dunk the whole notion of categories and simply pick a variety of photos that covered a wide stylistic spectrum: scenics, portraits, action and dogs having wild sex. (I just made that last one up.) Understanding all that, we still pulled some sorta categories our of our asses so we could give out some prizes. Winners have a “Best In” logo above them, with prizes won listed under the winning photos. Unlike last year, when the judging onus fell entirely to me, I asked our art director, Keith Svihovec, to help pick the final selections. And, like last year, we ask those whose photos did not make it into print to understand that such exclusions were unavoidable. We’ll try to get as many of the submissions on our website as possible. Thanks to Granite Gear for sponsoring Mountain Gazette’s 4th Annual Dog Photo Contest, and thanks a million times over to everyone who took the time to share their images of man’s best friend with us. Though, as I said earlier, it’s mentally taxing, every time a new dog photo con-test submission enters my inbox, it brightens the day of both me and my spouse. Editorially, it’s the highlight of the year. We hope you enjoy eyeballing these photos as much as we did. — MJF

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