Friends try not to stare, but they can’t help it. Stop with them at the garage to pick up some motor oil or lag screws — floaty toys in summer or cider jars in fall — and they stop cold in their tracks. They did not see it coming, this descent. You did not seem so obsessive, like a hoarder, like those addle-eyed freaks on TV. But it’s hard not to notice. The paint cans, the fire pump, the beer fridge, the rubber boots, the broke-down saws all turn, apparently, invisible. Skis are all they see.
Skis tucked in cinder blocks. Skis leaning on stovepipe. Skis hanging, properly, from a ceiling rack scabbed together with rough-cut scraps: tips in two-by-twos, tails in plastic six-pack holders, scissored in thirds. Skis with spiders. Skis with dust. Skis with bindings that look like paper clips and hold like a vice, bindings that were only available for two seasons in the mid-1980s, which have lasted against all odds, like Madonna or Prince. Side-cut skis that don’t edge on ice. Straight long skis that slide fast in slush and turn poorly in slop, though god knows you tried. For years, for decades.
Which ones do you use? your friends ask.
All of them, you say.
Then they know they are in for it. The stories. Skis you stuck like a cage into the crust to keep your bivvy from sliding down the ridge. Skis you held like swords to fight off coyotes encircling the tent. Skis you wear every Tuesday, no-whining day, to slog with friends up this same untracked road and back down. Once you saw wolverine tracks; often you see elk. Not the skis you wore when you fell — those like the ligament are long gone — but the ones you wore after surgery, inching back, sliding through hoar frost tinkling like glass, tentative but stubborn. Stubborn, too, on the lifts in your leather, in your three pins, shrugging off the sneers at resorts or near-resorts — Targhee, Bachelor, Bridger Bowl, Purgatory — splitting a half-day pass with a friend and switching jackets after each run, eating jerky from the pocket of your anorak with the dirty Kleenex and the slushy cans of Pabst or Rainier. Sometimes, when you were learning, you skied with these pink Minnie Mouse poles to keep your arms low. Then later: for the hell of it.
You can’t show your friends the ones that didn’t make it. Skis you shredded on cinders, red stone rooster tails spewed behind each sunlit turn. Skis that delaminated in the woods. Bindings epoxied then heli-coiled until screw holes grew wide as dimes then nickels, until wood puddled to rot. And you don’t show them the tool kit with steel wool and zip ties, screwdriver and wood screws, matchsticks, duct tape, candles, wax.
Time is getting scarce. There are other things to do: hiking, biking, kayaking. Your friends fidget, check a watch, gaze out the open door.
You show them the snowshoes you use to take the nephews to the gravel pit to sled, the ones you used to carry for emergencies, like the time you got lost on a trail you’d skied a thousand times before and ended up in a canyon bottom and had to climb back up and …
Why don’t you carry them anymore?
Because we’re dumb?
But it’s not true. You’re older; you’re wiser; you have more discretion. You are a better skier, a more balanced person. You know that it is time to leave this musty hole. Get on with life. But you’re not ready; you’re not even really in the garage anymore; you’re thinking ahead to the day, not too far from now, when you’ll haul them out, one pair at a time, and not put them back. By mid-winter, they’ll be stacked on the porch, strewn in the woodshed, stuck in the shed-side berm, the full selection in full view, in case you have to decide fast before dark to head out in blue jeans with no cap into the dusk, onto the snow, because what the hell else is there to do? Just slide.
Ana Maria Spagna is the author of “Test Ride on the Sunnyland Bus,” “Now Go Home: Wilderness, Belonging, and the Crosscut Saw” and, most recently, “ “Potluck: Community on the Edge of wilderness.” You can eyeball her blog, “Wet Wool,” at mountaingazette.com. Spagna lives in Stehekin, Wash.